Use all the scraps! Using cut-off geese or binding triangles

I don’t know about you but I hate to waste fabric. So pretty; to sweep it into the bin feels sacrilegious. For a change I’m not even exaggerating. So when I’m making flying geese, those tiny triangles left over make me sad. “Use me,” they say. “Give me life and purpose, that I might bring joy to this world .” They haunt my dreams. Okay so now I am exaggerating. So with some of the leftovers of a recent quilt, I made a block:

I think it’s called a bow tie block; it’s certainly not my invention anyway! Each square finishes at 2″ – these triangles were left over from making geese with 2.5″ squares. I know this isn’t going to set the world on fire but – Hurray for a use for the geese off-cuts!

I know there are other things you can do – with my fancy fox quilt of a few posts back I did an extra line of stitching before cutting them off and made tiny HSTs… Never used them! I might still use them but it actually slowed down my working a lot; I’m not sure if I’ll do it again unless they were a lot bigger.

Anyway, you may well not need a tutorial but for anyone who would like one, here goes with a quick picture demo:

You need: 2.5″ background squares and triangles cut off from making geese or binding. Seams are 1/4″ throughout.

1.Lay triangle on top of the 2.5″ background square, RST as below. You want to ensure that when you sew and fold it back, the resulting triangle is bigger than the background square corner. Other than that it doesn’t matter where you place it. These are going to be wonky bow ties!

2. Here I’m just folding it back to check out will be bigger than my background square before I sew it.

3. Sew 1/4″ away from the triangle’s diagonal

4. Fold back the triangle and finger press (or use an iron)

5. Flip it over and trim the excess fabric with scissors (or your rotary cutter)

6. Finished and cute!

7. Repeat on the other side

…And sew together – make sure your white background stripes are all going in the same direction.

wp-image-96929715jpg.jpg

An 8.5″ block. I’m thinking if I alternate them with blocks made from 2.5″ squares or 4.5″ squares I could actually make something fairly big from them? Or I could just keep collecting my geese triangles and keep going.

Anyway, an uncharacteristically un-wordy post today, I’m off. Hopefully next time I can show you which quilt needed all those flying geese!

Till the next time, Poppy xx

Scrappy Plus Sign Quilt (- and tutorial)

Gosh – first of all, Happy New Year! I hope this year is a happy and creative one for you all. I’ve been really slack at blogging last year, but I am keeping up regularly on Instagram, so do come and say hello on there if you are an Instagrammer!

20170107_135555

Now and then though, I feel the need for more words than you can put on Instagram, and this quilt calls for one of those times. It isn’t my design, in fact a lot of folk have made a “Low Volume Plus Quilt” before, but since I changed the measurements from what you can find on google to be charm pack friendly, I thought I would include those measurements here.

20170107_134559

I completely love this quilt! The design was first devised by the amazing Ashley of Filminthefridge.com , who took one of the borders of Alexia Abegg’s “Marcelle Medallion” quilt and made it into a quilt all on its beautiful own. You can see hers here; it is a slightly different pattern to mine and different measurements, but a similar effect:

http://filminthefridge.com/2013/04/02/marcelle-plus-quilt/

A scrappy low volume quilt has been on my radar for a few years now; but I realised  that in doing so many fairs and commissions, I had accumulated a great stash, but had had no time to do any of the selfish sewing I had wanted to for a while… suddenly 2016 felt like the right time to try some of those long-awaited projects. Just before Christmas and New Year. Well, the muse strikes when she strikes!

plus-quilt

I had accumulated some low volume fabrics (fabrics which read as neutral or almost white) for the background, but in order to keep it really scrappy looking, I started with a couple of Moda charm packs of a great low volume line – Zen Chic’s Modern Backgrounds Paper. I then topped up with all kinds of low volume fabrics from stash and scraps, including lots of leftover charm squares from other projects. Because of that I had to choose measurements which were as charm pack friendly as possible, and decided on this block:

plus-quilt

Excuse the terrible image! I made it on Word, but then couldn’t work out how to save it as a jpg to insert – ended up taking a photo of it. I’m not going to win any awards for tech any time soon!

Obviously for the bright crosses, you can’t use charm squares – unless I guess you used  five 2.5″ squares of the same colour and increase the scrappiness! That would look cool too.

It’s such an easy block – there are no seams to match, and it is all extremely forgiving. You can likely work it out from the diagram above, but just in case you would like some basic directions for a 50″ x 60″ quilt, here goes:

You will need: 

30 different printed fabrics, size 2.5″ x 11″

120 low volume fabrics, size 2.5″ square (or 30   5″ charm squares, cut into 2.5″ squares)

120 low volume fabrics, cut into 4.5″ squares.

I liked making mine as individual blocks, so that’s how I will describe it, but obviously you could chain piece them all if you like. Sew using 1/4″ seam throughout.

  1. First cut your printed fabric strip into one 6.5″ x 2.5″ piece and two 2.5″ squares.
  2.  Sew a low volume 2.5″ square to each of the printed 2.5″ squares, and both ends of the printed rectangle.20161129_171907
  3. Sew the 4.5″ low volume squares in rows as the  diagram or the photo below:20161129_181342
  4. ~Ta-da! Easy-peasy. The block should measure 10.5″ square and will finish in your quilt at 10″ square. 20161129_184356
  5. Make 30 of these blocks and then sew them into a 5 x 6 grid as shown in the “I’ve just been basted” photo below: 20170105_165253

It goes together so quickly and I loved making those blocks! And I have a new-found obsession with low volume fabrics; me and any new found fabric obsessions are not a good combination for my wallet.. I might need to start doing commissions again! I batted it with my favourite Quilter’s Dream Orient batting – an all-natural blend of silk , cotton, tencel and bamboo that quilts, feels and drapes beautifully and quilted it with some free-motion loops, daisies and leaves. I’m going to have to show you some photos:

20170107_13504220170107_13561920170107_135002

20170107_135235

And OH MY. Look at that backing. It’s my current favourite print – a grey/navy floral from Tilda’s Memory Lane collection. It is a definite indulgence, but I’m so happy to have a whole quilt back with it. I love the back almost as much as the front! Because the back is so dark, I didn’t want the thread to be too visible in the bobbin. So I used The Bottom Line thread in white by Libby Lehrman for Superior threads – it is a 60wt polyester which has given a beautiful subtle quilting line in my print, not too obvious in the navy but keeping the pink flowers fresh and clean. In the top thread I used one of my favourite cotton threads – Konfetti 50wt Egyptian cotton thread by Wonderfil which doesn’t break in my machine unlike, sadly, Aurifil does. And a size 70 topstitch needle. Thread can make such a difference to a quilt – especially when you don’t want to detract from the prints or busy up the design too much. So important – but I do agonise over it sometimes!

20170107_135601

I’m off to snuggle it, and hopefully also  the wearer of those battered old shoes which you can see below that quilt! Wishing you all a wonderful 2017.

Until the next time, Poppy xx

Fancy Foxes in Liberty!

Elizabeth Hartmann of http://www.OhFransson.com is a genius. Everyone knows it, but really, until you make her Fancy Fox quilt (or another of her patterns I assume), you don’t really appreciate it.

It really is a great pattern. Simple to piece using basic techniques, fun and cute, and the fox face is beautifully realised. She gives you all the cutting instructions and fabric requirements – and it all seemed to work out exactly as she said. I chose to make the original fancy fox pattern (there is a larger/giant block too with a different pattern) which you can get as an immediate pdf download here in her shop:

http://ohfransson.bigcartel.com/product/fancy-fox-quilts-pdf-quilt-pattern

It started with a friend of mine who fell in love with the fancy fox quilt but wanted me to make it alongside her. She sent me a gazillion pictures of Fancy Fox quilts, all of which I resisted, until finally I saw one in beautiful Liberty of London Tana lawn fabrics and I suddenly saw potential. I cut all my background fabric, noses and eyes, made these 4 with her, and then stopped for months as life took over. My friend decided not to go ahead with her project so no longer needed me to make them with her (she’s dyslexic), and these little foxes lay forgotten.

And then the lovely Michelle of http://www.coleandtaffy.com decided she wanted to make a Liberty fancy fox quilt, at a gentle 2 or 3 foxes a week, and we decided to sew along together on Instagram (she is @coleandtaffy and incredibly talented!). Soon we had others joining us, and my little foxes started multiplying, really without much fuss at all.

I have never sewn projects in this way – a kind of gentle, back-burner way. Usually I start, finish and end a project before starting another;somehow that makes me sew on some kind of self imposed deadline, like preparing for battle. I didn’t know I sewed like that until I sewed along with Michelle, who seems to have multiple projects on the go at all times. It felt like a very mindful way to sew. I would have chain pieced them all and had it done within a week had I been left to my own devices, but there was something very conscious and satisfying about sewing each fox individually. I even gave them names.

Meet Heather, Heather, Heather and Veronica:

10 points for getting the 90s film reference!

By midway, I started to think about some sort of colourwash layout. By this time, Michelle and a few other IG friends were not only cheering me on but had donated pieces of Liberty for my quilt and it was all starting to feel rather special.

One thing I would say is that at first my 1/4″ seam allowance was a little too scant, and it affected how much overlap there was in the background fabric under the chin (there was too little). This meant some of the noses would get blunted in the seam allowance when I sewed it together – so watch your seam alllowance very carefully! I bought myself a gadget, Liberty fabrics being too expensive to get wrong:

This is a seam guide called “seams sew easy” by Lori Holt and it’s genius. The only issue is you have to reposition it each time you replace the bobbin, but it’s still worth it. Not only did it resolve my seam allowance issue, but it meant I didn’t have to draw a diagonal line on the squares for the flying geese on the fancy fox block …or any other blocks where you sew a diagonal – snowballs, geese etc. HSTs are going to be much quicker now…

Anyway, suddenly I was done! Obviously the kind of suddenly that happens over months. Not really suddenly at all.

My background fabric was a grey cotton chambray for softness, and the cheek fabric was a white lawn cotton, to try and retain the sofness from the Liberty lawn fabric. I used kona black for the eyes and noses as I figured they’d be too small to really affect the softness… So I chose Quilter Dream Orient batting, with its scrimlessmix of silk, bamboo, tencel and cotton because it’s so soft with a beautiful drape and I splashed out on a Liberty back, an aqua daisy print called Bellis.

I really pondered the quilting. It seemed to me that lots of people in blogland had sent theirs out to a longarm quilter and gone for a woodgrain pattern. I knew I would never do that design justice, but I liked the idea of woodland. So I quilted a loopy leafy allover design using wonderfil invisifil thread – very fine polyester that I hoped wouldn’t show up too much on the very contrasting background and cheeks. The effect was good; subtle quilting without it being invisible thread but it kept snapping in my machine! Eventually by changing to a bigger needle, I just about got through. I’d really like to try it again for the effect but I’m reluctant to go through that again.. I don’t know why my machine didn’t like it! Annoyingly it doesn’t like Aurifil thread either…

Some pictures… because obviously I haven’t included enough!

Can you see the leaves? Kiddo says they are all baby foxes peeking out from their nest in a bush. He loves this quilt because it’s very soft and very snuggly, even before the first wash. And because ..foxes.

Hello Kitty Liberty! So cute. Why does every piece of Liberty just feel so special?

Aw my lovely Liberty foxes! The lap quilt comes out about 60″ x 52″ ish and is a really fun make. It looks good in most fabrics , so long as you ensure a high contrast between the cheek, eye/nose and background fabrics, And it’s actually pretty economical for prints – each fox face uses a  5″ x 9″ or 2.5″ x 18″ piece of printed fabric) I can imagine doing this lap quilt with half a jelly roll or half a layer cake  . I’m so tempted to buy the giant size pattern now – I don’t think I’m done with these foxes yet.

Meanwhile, I’m off to snuggle some very fancy foxes! Until the next time,

Poppy xx

Adventures in Foundation Paper Piecing

3 months. That’s how long it has been since I strung more than a few sentences at a time about sewing. Forgive me if I stumble, I feel like a baby giraffe starting to walk. Here’s a picture though to distract us all:

I blame and thank Instagram in equal measure for my absence; on the one hand it has inspired and renewed my creative life, on the other I can see how easily it could be the death of the blog. In a few short months of being addicted I have become part of a genuinely interactive and inspiring sewing and quilting Instagram community, one within which you make real friends. It’s so quick and so immediate in its reach and feedback. And yet, on reflection … blogs still feel important. The story behind a project, the details, the tutorials, time taken to tjink about a topic – I learn and I’m inspired so much from the blogosphere; even my small blog gets many hundreds of visits a month, even when I’ve had a hiatus. I think we sometimes need more than a quick eye candy sewing fix, addictive though that is in itself. So Cuckooblue is still here, even rising, baby-giraffe-like like a Phoenix. It is possible I may be over using metaphors in my zeal.

So this one is about Foundation paper piecing (FPP). It’s a pretty old technique, in which you sew onto marked lines on paper, rip off the paper and are left with some amazingly intricately pieced blocks, or blocks which would be difficult to piece by traditional methods. I don’t know if it is having a modern day resurgence, but it seems to be everywhere just now. This was my first attempt at FPP.

It’s a pattern called “Goosing around” which is created by the incredibly talented Jeliquilts; her immediate download PDF patterns are available for a few pounds at the link below, and I thought this was a great first pattern for me. I just printed it off onto ordinary printer paper, but you can use foundation paper too which is supposed to be easier to rip off afterwards.

http://jeliquilts.blogspot.co.uk/p/my-pattern-shop.html?m=1

This pattern is made up of 4 blocks which you sew together to make an 8.5″ block, as directed in the pattern. The technique does take some practice and you need bigger fabric pieces than you’d think, especially at the beginning – it is such a different way of thinking about making a block. The best way is to learn from a video tutorial, I think. I used this video by Karen Johnson of Connecting Threads; the “add a quarter ruler” and postcard method which she uses I think makes it much easier.

This was my next go:

It’s for a swap; in a month’s time I will be going to the Stitch Gathering 2016 in Edinburgh – a day of stitching classes (I will be doing my first ever sewing class – a little scary but also quite exciting!). There are secret swaps  organised – we each make a potholder (trivet) to swap with our allocated person (they don’t know who is sewing for them) and a nametag for a different person – perfect opportunity to practice some FPP I thought!  I was going to quilt the “goosing around”  block for my potholder swap, but I shamelessly stalked my partner’s pictures on Instagram and decided she would prefer the butterfly.

The butterfly is an FPP pattern by Nicole aka Lillyella of Lillyella.com, 3 different butterfly patterns are available as a free PDF download here:

tutorials & free patterns
This is mine in progress. See how you sew along the pattern lines and then remove the papers? I am still a real novice at this; But going carefully and slowly really does do the trick. I *might* have had to re-do some messed up sections in this one though…I would say have plenty of fabric and time and be prepared to re-do some when you are first starting out with FPP!

I used the new collections out by Tilda Fabrics, Memory Lane and Cabbage Rose. I cannot tell you how much I ADORE these collections! Prettiest Tilda fabrics ever, which is saying something. Prettiest fabrics ever, possibly. I’m really taken with them. I used insulated batting and a mixture of machine straight lines and hand quilting with perle cotton #8.

And the final bit of FPP I’m going to show you is the nametag I said I had to make for the stitching day. This pattern is by Megsmonkeybeans, here: http://megsmonkeybeans.blogspot.co.uk/2012/09/a-pattern-for-you.html?m=1 who designed it for a nametag. It is so tiny – and you have to add outer seam allowances to the pattern yourself, so not a beginner’s pattern. Very cute though! This is the sewing machine I made for my partner, with the name scribbled, I mean expertly blanked, out:

I embroidered the details of the machine and the name using black perle #12 cotton – I couldn’t really believe it came out so cute! I was dubious when I saw the pattern. Oh me of little faith. This is it finished:

I LOVED using my tiny scraps to make a rainbow border. The scraps really are tiny, cut to 1.25″ square; only just big enough to include a kitten head, puppy kiss, turtle, typewriter key, flowers… I quilted with Superior thread’s The Bottom Line, a fine but strong polyester using white in top and pale blue in bottom bobbin (as the back is those blue kissing dogs). Impressed with the unobtrusive quilting line it makes – I would recommend the thread if you’re happy to use polyester!

I hope you get inspired to maybe try a little FPP yourself if you haven’t already, whilst I can’t currently see myself doing a whole quilt with this technique (some people do!),  it is really fun. Those butterfly blocks are charm square size too – I can see all kinds of possibilities with this technique!

Until the next time,

Poppy xx

My first ever patchwork tote bag

There’s just nothing like a deadline to make you JUST HAVE to sew up something completely unnecessary and random, have you noticed? My deadline – an artisan sale with 2 other local friends and crafters IN A WEEK. Woefully behind. And so of course, today this happened:

image

I met a lovely girl on Instagram who is involved in a charity which gives children from the Ukraine who are still affected by low level radiation from the Chernobyl disaster all those years ago, a holiday in the beautiful unpolluted country which is Wales. She agreed to make 17 quilted tote bags and placemats as gifts for the children and their families – and then sensibly asked her Instagram buddies for help.
Her blog and more details is here: http://glindaquilts.blogspot.co.uk/?m=1

I have made so many bags (evidence on my Flickr stream) but never a patchwork/quilted one and perhaps that’s why I dropped everything to make one – and because the idea of giving something to a child who has little is overwhelmingly feelgood.

image

The other side! Somehow, I just really like it. For some reason my husband LOVES it!

So I won’t do a full tutorial unless folk really want one but I might outline the process. I started with a mini charm pack (42 x 2.5″ squares) of Little Miss Sunshine by Lella Boutique for Moda. That second picture is all from the collection. Using a 1/4″ seam allowance, I sewed 24 squares into a 3 x 8 square piece of patchwork and pressed. For the other side I had to add 6 more 2.5″ squares cut from my scraps (I think I used 7) to make another 3 x 8 square panel. Then I sewed a 2.5″ x 16.5″ linen strip along the top of the patchwork panel and 7.5″ x 16.5″ linen piece to the bottom.

image

image

I just used polyester batting but after trying a bit of light quilting, I didnt like the floppy feel or the puffiness. So I decided it would be a good idea to quilt straight lines 1/4″ apart. And it was… it just took AGES! I have no patience for straight line quilting. I really like its clean modern look, but there’s a reason I FMQ everything – I would abandon my hobby for pig farming or something if I had to straight line quilt a whole quilt. Anyway my IG buddies spurred me on (thank you!).

image

I tell you, I love the effect. The texture, the structure it gives. Poly batting turns special. Look at what the quilting does to the back of the panel – almost a crime to line the bag and cover it up!

image

Okay it doesnt show it’s yummy tactile texture! This fabric is an unbranded but gorgeous cotton; I lined the bag in it too. Boxed the corners to make a 4″ bottom, and used some cream cotton strapping I had around, magnetic snap closure and ta-da. My first patchwork tote bag. Dimensions 13″ wide at top x 11.5″tall x 4″ deep. For a minute I thought about keeping it but then the image of a wee girl who has very little entered my head and I got a grip. I hope she likes it! And I hope the children have a really good time.

image

I must say I have a big crush on Little Miss Sunshine. Which is just as well, as I am making the end of year teacher gifts out of it… so be prepared to see more of it if you check back in! I can’t promise I will ever do this much close straight line quilting again though!

Hope you are enjoying the same beautiful weather that we in Scotland are. Summer is here, hurray. Until the next time, Poppy xxx

Starflower chain quilt – finally finished!

Do you have a quilt top drawer? What am I saying! If you answer yes to “Have you quilted for more than 3 years”, then you’ll know all about the quilt top drawer. I don’t know why some tops just   get put off the big finish; you lose love for the fabrics, you have other more pressing projects to a deadline, you feel it needs a bit more added. But look what happens if you open that drawer now and then:

image

Look at that! My Starflower Chain quilt from… ughhh, February 2014. Eeek. At least that’s when I did the tutorial here, using 3 charm packs and a fat quarter:

https://cuckooblue.co.uk/2014/02/21/starflowers-chain-quilt-charm-pack-busting-hst/

image

Somehow I couldn’t find a reason to quilt this quilt before; it’s 61″ square so too big for a baby quilt, all the wrong colours for my house, too girly for my son, too pink & fancy for a picnic quilt for our boy-heavy family. And then I heard of Siblings Together.

Turns out that children placed in the UK foster care system are often separated from their siblings. I understand that it’s difficult to take in several children, but how awful for these kids. Anyway Siblings Together is a charity which puts on camps for these kids to get to spend time with their siblings. And some amazing quilters are leading the drive to make a quilt for each child to keep as a reminder of their time at camp. And I decided that this quilt top finally had purpose! You can read more here about the quilt and block drive here:

http://siblingstogetherquiltgroup.blogspot.co.uk/p/siblin.html?m=1

I pieced a back:

image

..using some of my favourite warm fabrics. I love the back! Almost more than the front.

image

image

I just stipple quilted it this time, it feels like an awfully long time since I stippled… It’s because I got a half-board of a new batting – EQS Sew Simple 100% cotton LIGHT batting, without scrim. I like Sew Simple and it is much cheaper than my absolute favourite Quilter’s Dream batting – but it usually has scrim, and I worry about that tiny bit of polyester melting in the event of a fire. Probably overkill I know but you have to do what you feel is right for you. Anyway this new scrimless batting has to be quilted less than 4″ apart, so the easiest way for me is to stipple. It quilted nicely by the way, although I had felt it was too thin when I first opened it out; the finished quilt has a nice drape and softness. It is probably more lightweight (cooler) than Quilter’s Dream cotton though (and Warm & Natural which is actually 12.5% polypropylene).

As it happens I also made a couple of blocks for the quilt as you go block drive. They are asking for this pattern and have a tutorial on the blog here:

http://siblingstogetherquiltgroup.blogspot.co.uk/2016/04/block-drive-for-siblings-together.html?m=1

image

image

And the amazing Nicky of mrsssewandsow.blogspot.co.uk is putting all these blocks together that quilters send in to make more quilts! Some people are really special. She’s a very talented quilter too. That second photo of my blocks is hers by the way, from her Instagram.

Anyway it feels really good that this neglected wee quilt top will go to a little girl who will hopefully get pleasure and comfort from it for many years to come.  If you fancy donating a quilt block, top, back, fabric, time or skill to this informal amazing kind gang of online quilters all over the country and elsewhere, then do check out the siblings together quilt blog (or the original siblings together site if you want to know more about the charity and camps).

image

Ahhh, the evening sun as a WIP becomes a finished quilt. Quilter’s bliss.

Till the next time,

Poppy xx

Spiderman and Invisibility (or how to quilt with invisible thread)

The thing about having a wee boy is that despite having all the loveliest fabrics imaginable and an itch to try out some really complex and beautiful quilting designs (Kaleidoscope quilt anyone?), your child will look at you, big brown eyes shining and say “Will you make me a Spiderman quilt, Mummy?” And then will proceed to pick out two almost identical, but crucially apparently NOT THE SAME, equally busy and very Spidermanny fabrics for front and back respectively. It’s done, he loves it and his mummy, I kept the fabric whole and added a border – it’s not in itself worth a blog post… except perhaps for the quilting.

13091609_10208110090341928_558378850_o

13129050_10208110093222000_280471337_o

This is the “back” of the quilt where you can see the quilting. I chose to do loop and star quilting as Kiddo loves it, having seen it on a quilt I made for another wee boy; I can attest that it is much easier the second time round – once you get your head round it it seems it’s a piece of cake! I showed how to do loop and star quilting (on paper) here if you needed any pointers:

https://cuckooblue.co.uk/2014/10/24/bartholomeows-reef-bermuda-baby-boy-quilt/

But on the front of the quilt I used invisible thread:

invis1

Looking at the other side (which is not invisible) now, I am not sure I needed to bother. But I was concerned about the busyness of the print clashing with the quilting thread and it all looking like a giant mess. Especially as one side was very dark (the other had more white/light blue and grey in it). But for whatever reason, I chose invisible thread, and it certainly looks cleaner, but with subtle texture and pattern.

13112424_10208110091101947_25276260_o

That’s the side quilted with invisible thread and the next is the side quilted in a pale blue:

13091835_10208110090621935_1308687007_o

The difference is more noticeable in real life! (isn’t it always?)

Anyway, this is the second time I used invisible thread, the first being on a project for Kiddo’s school last year when I made a quilt from the children’s drawings (but camera failure deleted the photos – arrrrggggh), and for which invisible thread was pretty important. At that time, I trawled through blogs and websites to try and get some understanding on how to use it, and made notes. Notes which I followed again with success again, so if only for myself I thought I would write them here too!

NB. *Apologies for not being able to credit the sources, but it was last year and I read quite a lot of articles about it… A google search will bring up all my sources! I do remember a newsletter from Barnyarns being really helpful – they are so knowledgeable about threads and notions! And it is where I got my thread. *

http://www.barnyarns.co.uk

invis2

How to Quilt with Invisible Thread

  1. Invisible thread is either nylon (A.K.A. polyamide) or polyester. Polyester sews more like very fine thread and won’t melt as easily with an iron, so I decided to use it. I have some nylon invisible thread and it feels stiff, a bit more like wire but some folk prefer it apparently. The thread I used is called Superior MonoPoly clear very fine polyester, from Barnyarns. I used this as my top thread. It’s superfine but my Janome handled it easily.
  2. You CANNOT use invisible thread in your bobbin. It will stretch, break and tangle inside your machine. The tension would be all over the place even as you wind it. You need a very fine but strong polyester. I used The Bottom Line by Libby Lehrman for Superior Threads in my bobbin (I think Barnyarns recommended it as I got it from there too!) and it worked really well. It’s very fine (a 60 weight), but strong and I had no problems. You could try a 50 weight too but probably nothing thicker (the bigger the number, the finer the thread).
  3. Because invisible thread is a monofilament (one strand, not 2 or 3 ply), it is extremely fine (and stretchy). This means you need a very fine, very sharp needle. the thread will not expand to fill the hole made by a needle, unlike normal quilting thread, so you need a really fine needle like a size 70/10. If that’s not small enough try a size 60 (the smaller the number the finer the needle!). For sharpness use a microtex or a topstitch needle. I tried both and both worked well. I might say to go with a topstitch needle if you pushed me, but I doubt there’s a big difference. A 70/10 topstich needle was fine for me.
  4. I only free-motion quilted but I assume this next info is true for straight line quilting too. Turn the tension on your machine right down. because of the stretch, a normal tension will stretch and snap the thread. If your stitches are looking very very shiny and thin you will need to lower the tension even more. Experiment. On my Janome I had to reduce the tension to a 2.

and hopefully that’s it! Otherwise it was just like quilting with normal thread, and it feels like normal thread now it’s quilted.

I actually really like the thinness of the 60 wt bobbin thread too even though I usually only use 50 wt cotton – you can see the quilting but not too prominently (below). I need to do more experimenting!

13106810_10208110094062021_1039514232_o

Phew! Hope that helps if you want to have a go with invisible thread, obviously there are loads of other options, I’m just saying what worked for me as I didn’t have any problems, but feel free to comment if you have any thoughts or experience with using invisible thread!

Happy sewing/crafting/drawing/art-making/life-making all.

Until the next time, Poppy xx