The 1000th Hexagon

There should be some sort of firework display in my bedroom or something.

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I have saved you the eye-rolling moment when I take a gazillion photos of 1000 unsewn hexagons all in piles on my bedroom floor, because frankly, it can only be interesting to the person who has made them. I kind of want to lie on my bed throwing them wildly in the air like in 80s movies of people winning the lottery or winning big at the casino. Although that would make me immediately sob for days as I try and re-sort them into collections.

This is that same 1” hexagon quilt made up of fabric collections from the wonderful Fig Tree Quilts that I posted about before. I think there are about 500 hexagons here. I love the fabrics so much! so far this is:

Fig and plum (top left)

Buttercup (top right)

Honeysweet (middle left and below)

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Avalon (middle right and below), which is a surprise favourite – that dark blue just didn’t look like it would work so well when ordering online – but my oh my. It even makes me sound like Judy Garland on her way home to Kansas. It’s lovely.

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and Tapestry (bottom right) which is now one of my favourite lines ever. I’ve even bought some for another sofa throw for our living room. I’m going to live in figgy quilty bliss. The Hubster and kiddo may need another room decorated in blue, grey and black as a refuge! My dog doesn’t care, boy though he is, He’ll live in frou-frou perfumed frillyness as long as he gets cuddles, so I’ll have company.

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The above photo is part-way through sewing a block together. I found I couldn’t keep making hexagons without sewing some together – I think had I tried to make all 1400 and then sewn them all together I would have given up by now. Or turned to gin. So alternating between making hexagons and sewing them up in front of the TV or listening to audiobooks has been the only way I could do it. And having breaks. And not trying to do too much in a day – making 10 -20 hexagons is enough, feel proud… even if the inspiring blog poster you just read made 100 in a day, and still fed the children, went out with her husband, baked a cake and wrote a witty and interesting blog. Whilst looking beautiful, shiny haired and thin. Eventually you will make your 1000th hexagon and feel you too have gone through a rite of passage.

Sadly, their latest collection, Mirabelle, isn’t doing it for me, at least not on the computer screen. That’s OK, just because Joanna Figuera is my favourite designer, it doesn’t mean I have to love everything. I’m Ok with it because I tracked down a really old line called “Strawberry Fields” in a shop in Australia (below). I know, I’m being mental. I’m glad the Hubster doesn’t read my blog.

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So apart from Butterscotch and Rose which is definitely in the quilt and I have some California girl which might make the cut (see the quilt in my last post if you want to know what it’s like! I clearly like I a lot),  that’s really it for fabric choice. Unless I can find some Mill House Inn or Patisserie, but they are both too old to find now. Darnit. Unless I’m still doing this by the time she releases a new collection…

Arghhhh, and it’s past bedtime again! How does this happen? Night night, and enjoy whatever it is you’re up to,

Till the next time,

Poppy xx

p.s. previous posts about this are here:

https://cuckooblue.co.uk/tagged/hexagon-quilt

A Quilt Quartet

I ran this one up yesterday thinking I really should have a quilt on show at least at this craft fair – which is only TOMORROW by the very way! I must say I have fallen a little bit in love with it myself.

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It is my favourite “child-size” quilt – two charm packs sewn up and bordered with white. 42” x 51” Quick, but when it’s such a beautiful collection as High Street by Lily Ashbury for Moda so very pretty. And big enough to be useful even as an adult. If you can be bothered to look back through my previous posts, you’ll see 2 other quilts made with this collection, both teamed with white. I had utterly fallen in love with the collection on paper and when it arrived, but haven’t really loved the other quilts / quilt tops I made with it. Now I know why, it needs to be a collection together with no chopping it up, no mixing it with white or anything else. Just bliss. I’m regretting using all my stash in the other quilts when i just want more of this!

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Cotton batting, stipple quilting (in all these quilts). This quilt was wonderful to quilt – partly because the collection gave me such joy,  partly because I remembered about my quilting table and fixed it on, and partly becasue I got myself some quilting gloves, and something called a sew-slip. The quilting gloves made a huge difference. I’ll tell you about it another time because I’m on a schedule – did I say it’s my craft fair tomorrow?

I said a quartet – I finished some WIPs, binding etc, for the fair, so i thought I’d include them here.

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This one is California Girl by the wonderful Fig Tree Quilts for Moda. Soft, beautiful, feminine, but so delicate that photos don’t do it justice – and direct sunlight washes out the colour on a picture (yes, spring is springing in Scotland!). I added the white squares to give it a bit of sparkle, and I really like the effect, otherwise it seems a bit too “shabby chic” for a baby. Cotton everything, stippled, 36” x 36”, a pram size or small baby mat.

This next one is the same collection. I really fell hard for it, and loved it when I got it – but made this little baby quilt last year (or maybe 2 years ago??), using the amazing “charm pack baby quilt by Elizabeth Fransson on “sew mama sew”. I love the pattern, but I think this collection is too delicate to be miixed with white.

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So I kind of lost my California Girl mojo, but having seen the first little pram quilt again, I might make up my remaining fabric into a bigger quilt, like the High Street one at the top of this page. It is beautiful, just not as “out there”.

And finally, this quilt.

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This is hard to part with. My mother has completely opposite home decor taste to me – she likes white, minimalism, and everything is beautifully spic and span. I like her house, but I know our won’t be like hers. I felt her living room could do with a little colour, and thought a sofa throw might be acceptable to her if it was pretty much all white, with a little strong colour (she like bright colours). This is Dena Designs fabric and white – I have forgotten which collection, I might google it. It is backed in white, and bound in fuschia, and I really like it, although white doesn’t work in our house. It has wool batting which makes it lovely, snuggly and warm. 45” x 51”

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But much as she loves my work and is appreciative, she’s just not going to go with throws in her house. So she has returned it saying someone else will use it and love it, and I should put it into the fair. Slightly sad, but she’s right. Luckily my good friend happened to be here when my mum came round with it, and stright away asked if she could buy it (she is also a sewist, how flattering) – SOLD to the lovely lady who will give it a good home 🙂

I’ll finish with yet another picture of my favourite! Such lovely lovely vibrant yet feminine colours!

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Less feminine are those size 10 feet!

Till the next time,

Poppy xx

PS. please check out my previous post if you want to see the things I have made for the craft fair – leftovers may get put onto this blog for sale if I ever get my act together! https://cuckooblue.co.uk/post/82041667739/a-week-of-sewing-like-a-madwoman-i-feel-a-craft-fair

A week of sewing like a madwoman? I feel a craft fair coming on..

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Of all the things I’d planned to blog about – and there is now a queue – this was not one of them. 6 days ago I agreed to do a craft fair – which is in 5 days time – eeeeeeek! I think I must be a little insane.

It’s the same craft fair that I did a year ago, in our village, usually for a charity, and is part of a stately home open day, where there’s a bouncy castle, facepainting etc. I did it last year at 3 weeks’ notice and thought I was a mentalist then, but apparently that was me being organised, positively relaxed even… The day before it, I launched this blog, and since then I’ve had a nice gentle stream of sales and interest from the village which has been very lovely. So maybe that’s why it felt right to do it again.

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So this is the very popular zippered purse, this one in Sidewalks by Riley Blake. It’s pocket sized but bigger than last year to more comfortably fit cards as well as cash. Interfaced with batting for durability and that soft feel, and of course always a pretty lining, because we deserve eye candy inside our purses even if there’s not as many notes in there as we’d like!

Pretty and floral designs:

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(Clockwise from top left – Enchant for Riley blake, Flutter for Riley Blake, sweet shoppe Michelle D’Amour for Bernatex, Songbird in white, from Vintage Summer Collection by Little Yellow Bicycle for Blend, Sweet Shoppe, Marmalade by Bonnie and Camille for Moda)

Liberty coin purses:

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Brights and retro:

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(Clockwise from top left – Flutter by The Quilted Fish for Riley Blake, Blue birds on lampost by Kate and Birdie from Bluebird Park for Moda, Sidewalks by October Afternoon, Flutter)

Fun or for kids:

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(Clockwise from top left: oh darn, cannot remember the name/designer/anything about the owl fabric! Sorry! Going Coastal by Emily Herrick, Out at Sea by Sarah Jane fo Michael Miller Fabrics, Ele train shroom by Dan Stiles for Birch fabrics (organic), Bluebird park by Kate and Birdie)

And the most popular thing I seem to make, the large toiletry bag /washbag

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Lined with white canvas, interfaced for stability with softness, I love these! And they have improved the look of my dressing table no end, they are deceptively big and take all my bits and pieces including my hairbrush. That one was in Flutter red for Riley Blake…

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That was Ele Train Shroom by Dan Stiles for Birch and is Organic cotton – somehow manages to be grown up as well as cute.

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Not that I made them to be sets, but they could be – the flat pouch is a makeup pouch or handbag organiser for keys/ phone/ purse/ lippy whatever. Or a pencilcase, especially when made in a kid fabric.

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The above is Sidewalks by October Afternoon for Riley Blake – this is my new current favourite fabric 🙂

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Jungle Elephants (makower)

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Peak Hour Ad White by Kellie Wulfsohn for Riley Blake – so cool! Especially with a bright fabric lining (from Space collection by Makower I think)

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Out at Sea by Sarah Jane – I’m a bit obsessed with those mermaids! Remind me of the Heather Ross Mendocino Swim Sisters which I never got any of but now is so rare it sells for a small fortune on etsy – I actually gasped, even though that’s something you only think happens in novels. This is not a bad second though. I got some of this with my little niece in mind, but haven’t yet managed to make her something yet – a swim bag maybe…?

Not everything is newly made this week, I have a few lavender pillows which still smell divine, and one or two kindle cases – soft yet waterproof and padded to prevent scratches or mishaps with burst waterbottles in your bag or by the pool. This one is in Songbird in white by Little Yellow bicycle for Blend fabrics.

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And finally… some Scrabble tile pendants! These are fun, sweet and funky – an image on a wooden scrabble tile topped with an epoxy resin seal, a nickel and lead free bail on the back and sold with a silver plated (nickel/lead free) chain (or alone). I’ll have about 50 on the day. They seem to sell well at fairs, so fingers crossed, and though this is a small selection, they are mostly different from each other. 

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The best thing about doing these this year has been “meeting” (virtual, she being in the US and me being in Scotland) a lovely lovely Etsy seller called Leslie at the Graphicalmuse, whose talented work you see on pendant numbers 2 and 4 above. I love Etsy and love these amazing and lovely creative folk we get to “meet” through the blogging and crafting world. This whole craft fair is worth it for having made a new friend 🙂

So I’m finished sewing now; I don’t want to get too tired before the fair because I found the event fun but tiring last time, and I’m going to follow all my advice I gave myself after doing it last year, but get organised well in advice.

https://cuckooblue.co.uk/post/48960849472/craft-fair-and-other-stories

I wondered why I could blitz through all these makes, when it normally takes a while to do one washbag  – the answer is factory line preparation. I spent 2 days literally collecting all the fabrics I wanted to use, then cutting everything – fabrics, interfacing, gathering all supplies everything. Then sewed it all up. I broke 6 needles. And I sewed like a maniac until I was SO BORED of sewing, which has never happened before that I can remember. And my room looked like this: image

So I’m glad to be getting it back, and am excited about some more quilting, because I got new quilting toys that I can’t wait to try out! I’ll tell you next time. By the way, anything I don’t sell will hopefully finally get put onto this blog and/ or a facebook page for sale, though probably UK only unless I get a lot of pressure!

Meanwhile, enjoy doing whatever you’re doing, and see you very soon.

Till the next time, Poppy xx

Oasis quilt for baby Maisie

A few weeks ago, my neighbour phoned to ask me to run over and meet a very special little girl, who just been adopted by a very special mummy.  My neighbour wanted to commission me to make her a quilt, and asked if I could chat to the mother about it.

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This lovely lady and her husband had wanted a child for over 10 years – and although it’s not my place to describe her story and health troubles, trust me, it’s so heartbreakingly sad – but also so amazing that this point has arrived!  Anyway,she had heard 6 weeks previously that she could adopt a 5 month old baby girl; adopting a baby is almost unheard of in the UK, the child is usually older, and so it is very special for adoptive parents here not to have missed the first few years of the child’s life.

Anyway, all her previous heartache has been washed away with this sweet baby girl’s smile. My 4 year old son, who likes a captive audience, kept her entertained by doing all his “supercat” jumps and “running like Turbo”, so I saw that smile a lot! Maisie is her name; I used Steam-a-seam to applique letters on, and then slip stitched in place after quilting. Steam-a-seam is the only fusible web I trust to stop the edges fraying too much in the wash, but I still sew the letters in place as a quilt gets so much washing.

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Maisie’s mother told me she adores “shabby chic” and quite traditional prints – and pink for girls. She has bought some big playroom boxes in the roses design from Ikea and loves them – I knew what she meant as I have the matching fabric from Ikea, which I decided to put on the back –

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Bearing this in mind, I picked out the two Oasis Trail charm packs by Three Sisters (Moda) which I’ve had for ages and sewed them together in traditional simple patchwork with an off-white border. I still maintain  that 3 Sisters’ fabric is the softest moda fabric hands down – lovely to work with.

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This was my first opportunity to use my new basting gun – a microtach gun by Avery Dennison so I was a bit excited! Can you see the little black tacks which look like tiny ants? Those are tacks that the gun puts through the fabric layers when you are basting. They are very fine plastic, and come in white (so hard to see to remove when you are using light fabrics like these!) or black – and the gun is easy to use – point the needle of the gun into all three layers of the quilt sandwich, pull trigger, and pow! It’s in place. (A very gentle pow by the way. noone will be calling the police on you). I usually use pins to baste, but they were interfering with my quilting flow, as I had to stop and take them out – and I kept breaking needles when I missed taking them out… Not so with these – you can quilt over them if you need to, and they don’t get in the way. Did it stop the slightly jerky edges I got when I had to stop to remove a pin when stippling?

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Yes, I think so; although maybe noone else noticed those things, I did.  And the quilting experience was MUCH nicer. The only annoying bit was removing them – hard to see, so you have to be careful, and you cut them out – fiddlier and more time-consuming than pins, but I did it methodically whilst watching TV so it was pretty relaxing. I think I will continue to use them over pins purely because it’s so much easier to quilt with them.

So here’s my patient husband, holding up yet another quilt, this time in Maisie’s mummy’s taste – size 42” x  51”. I used Quilter’s Dream Orient batting for its properties of washability and warmth. So soft and silky too!

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Having experienced years of miscarriage before Kiddo arrived, I understand how it tortures a very maternal woman not to have a child, a gaping hole which just can’t be filled even if everything else is great. It’s not rational but it’s all consuming, and vanishes once you hold that child in your arms. It was so joyously uplifting and rather moving to meet this baby and mother, so obviously in love with each other, and a real privilege to sew up an heirloom for Maisie, which I hope she will treasure for many years.

Until the next time,

Poppy xx

Vintage Modern Ruby Stars – Charm Pack Busting HST pattern #2 + tutorial

This is a story about Mojo. About abandoning a project for years and ressurecting it, with the bonus of ridding yourself of the nagging guilt that there is abandoned fabric in a box in your house.

Far, far too long ago I bought a Ruby layer cake, used half of it in a well received baby quilt… and then got stuck. Until now:

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Ruby by Bonnie and Camille for Moda Fabrics was an instant hit with quilters when it came out several years ago, and I was instantly seduced by the bright fresh colours – the red and aqua mostly, which was very “in” at the time, and the retro flowers…

But you know, although I rarely say this, I wasn’t as wowed as I wanted to be by the collection. It’s such a modern classic now, and so much beloved that it feels sacrilegious to say it; in hindsight I really should have sold it on to someone who did feel the love. There just seemed to be the wrong balance of what I think of as “headlining patterns” (like the flowers) and “supporting patterns”, as in there were just too many mild geometric patterns which I wasn’t all that enamoured with; it was like there was just too much filler. Too many just-okay supporting actors and not enough Daniel Craig.

Daniel Craig.

Anyway, back in Ruby land. Eventually I chopped the equivalent of a charm pack up into HSTs as below:

Quick method to make 4 HSTs from 2 charm squares:

  1. You take two 5” charm squares, one coloured and one white (or one “cool” and one “warm” coloured)image
  2. You put a coloured charm over a white charm and sew 1/4” seam allowance all round the edgeimage
  3. Rotary cut along both diagonalsimage
  4. Open them up and you have 4 HSTs – although beware they are cut on the bias and so can stretch.image
  5. Trim off the dog ear and you’ll have four of these:image

    They measure about 3.25” square, you should probably trim them to 3” square or something at this point, but I didn’t and it was fine. And the quilt police did not appear, although it felt like I was saying “Candyman” three times in a mirror… 42 squares in a charm pack will yield 168 of these. I’m not going to lie to you it was DULL. But so satisfying to have a big pile of HSTs to play with at the end!

… And so I merrily played. And played. I had meant to do pinwheels, but was underwhelmed and less merry. So I picked out 144 of them (the equivalent of using 36 coloured and 36 white charm squares) and sewed them together into nine 4×4 star blocks. You can see from the photo that once you have HSTs putting together the stars is really easy – once I’d laid the HSTs out, I sewed them in rows, then sewed the rows together to make the block.

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I was really very pleased with them and got them out at intervals to look lovingly at them, but mostly they stayed in a box, languishing. I’ve just looked at my flickr stream and it was 2 years ago I made these blocks! All because I wasn’t feeling the Ruby-love, had one Ruby charm pack left to add to it and was wishing I had just sewed them into square patchwork for a baby girl. But now and then you have to slap yourself out of your quilterwhinge and wo-man up, don’t you? So eventually I dug them out and promised to do something with them.

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Firstly, I laid my blocks into a 3 x 3 grid, added white sashing and red cornerstones. The sashing is 2.5” wide and cornerstones 2.5” square (unfinished).

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And added a 2.5” (unfinished) white sashing border round the edge followed by a 2” inner border of the red main floral Ruby fabric which I love so much. Finally another 2.5” white border, ready for piano keys.

…and then realised my issue was always going to be my feeling that there was a paucity of interesting prints. So I bought a Vintage Modern charm pack – now THIS one is GORGEOUS! I love it. It’s like Ruby plus. Uber Ruby. Anyway, so I mixed my remaining ruby charm pack and vintage modern, cut them in half and made a piano keys border. i used about 54 (maybe 56) charm sqaures for the piano keys border.

I mentioned how to make a piano keys border here, in case you wanted some instructions:

https://cuckooblue.co.uk/post/77412217918/starflowers-chain-quilt-charm-pack-busting-hst

Now I love it. I really do. The mixture of the two collections is great and  the quilt has some “oomph” I think. I’m sure I would have loved it even more with a little Vintage Modern in the stars, but you can’t have it all.

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So, from what I had left over, I seem to have made this quilt with 92 coloured charm squares (and 36 white charm squares plus sashing and borders etc); 36 of them were for the HST star blocks. The quilt top measures about 60” square. I was quite glad that I needed to get some more fabric to make the piano keys border as with the addition of the Vintage Modern I think it ended up being something rather yummy, even against a honeycomb grey house in a weak February Scottish sun:

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Here’s to abandoned WIPs – sometimes they can surprise and delight you. And here’s hoping your WIPs, whatever they may be, are bringing you much pleasure.

Till the next time,

Poppy xx

*Edited*

p.s. My friend saw this post and sent me a photo of the baby quilt I made for her daughter 2 years ago in Ruby – am now thinking I was a bit harsh on Ruby! Pattern is “flowers in the attic” by Sweetjane on etsy, batting is high loft fire retardant polyester. image

p.p.s. Edited in 2015 – you can see the finished quilt here if you like:

Vintage modern-ruby stars quilt – finally finished!

Starflowers Chain Quilt … charm pack busting HST pattern/ tutorial #1

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I have soooo many charm packs! I think it’s my quilty pleasure (boom!). 42 x 5” coordinating fabric squares, anyone? Oh, I think so. Although they are not cheap in the UK, they feel affordable if you are only getting one at a time. The problem is you can’t do an awful lot with just one on its own – you could make a baby blanket for a newborn, but that’s about it. Mix it with white and you have a small quilt, perfect for a young toddler, but not really big enough after the age of about 2 or 3. Now 2 charm packs is a different matter. I love sewing them together, putting a white 3” border on and making a traditional patchwork child sized quilt, which is actually still big enough (52” x 43”) for a throw on the sofa, something to put down on the grass for one adult to sit on, or a student take to college or university. And I’ve made lots of those and will likely make lots more. Still, not exactly BIG.

And I thought I should try and do something more exciting – I appreciate that to some the term exciting might be stretched in the context of sewing bits of fabric together, but in the context of knowing I’m amongst like-minded friends, I’ll just keep that word in. So I’ve made 2 quilt tops so far, each using charm packs to try and be a bigger sized quilt. This first one (above) is a starflower quilt made in High Street by Lily Ashbury for Moda; I’ll tell you about the other one another time!

It was inspired by this lovely quilt, but I wanted it smaller, and also decided to break up the stars. Each block takes 8 charm squares regardless, so a 9 block quilt would be 72 squares whether you do all stars or add the “chain”. image

You can see this quilt and more of Michelle’s work here: http://cityhousestudio.blogspot.co.uk/p/my-quilts.html?m=1  . She’s really talented.

My quilt is quite simple in construction, but in case you wanted a few directions, I’ve given a few instructions.

This is the first block – block A:

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It’s straightforward, but you can’t take any shortcuts with the half square triangles – you have to slice the charm squares in half diagonally and sew them back together, making sure not to stretch the bias edges. There aren’t too many in this quilt, so it’s not too much of a pain. Use a scant 1/4″ seam allowance throughout.

For block A you need:

  • 8 x 5” different coloured charm squares, cut in half along the diagonal to make a “charm triangle”
  • 4 x 5” white squares cut in half along the diagonal to make a “white triangle”
  • 4 x 4.5” white fabric squares
  1. Each charm square gives you 2 charm triangles. Sew one of these to a white triangle along the long diagonal edge. Carry on with the different colours until you have 8 different charm triangles sewn to a white triangle. When you press these open, you have 8 different HSTs, a colour on one half and white on the other.
  2. Then sew your remaining charm triangles together in pairs and press open to make 4 HSTs with a different colour on each half.
  3. Trim all your HSTs to 4.5” square.
  4. lie them out in the above arrangement, putting a 4.5” white square in the corners to complete the block.
  5. sew together into rows and then sew the rows together to make a block.
  6. Block A finishes at 16” square: you need 5 of these blocks.

This is Block B:

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For block B you need:

  • 8 x charm squares, cut to be 4.5” square
  • 4 x white rectangles, each measuring 4.5” x 8.5”
  1. Sew 4 charms into a four-patch. Next sew the long edge of a white rectangle on each side of your 4-patch. Put this aside.
  2. Take one white rectangle and sew a charm square onto each of the short sides of the rectangle. Do this with the remaining white rectangle.
  3. Put the rows together as shown in the photo and sew together.

Lie your blocks out on the floor in three rows of 2 blocks, starting with Block A and alternating them . Sew the rows together:

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And ta-da! Easy. This is it at 48” square. I do think it would be really lovely made as 16 blocks, and/or made with smaller HSTs.

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I’d originally meant to finish here and put a white border on using 2.5” strips of white, intending to bind with something bright and coordinating, probably a deep pink. That would have made a 52” square quilt using 72 charm squares… and mission acomplished – a decent sized lap quilt using fewer than 2 charm packs. The other 12 charms could even have been used as a strip down the back.

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But in the end I went all out and decided to add a piano keys border to make a larger lap quilt, one which could be used on the beach or as a picnic rug, as well as a sofa quilt or extra layer on a single bed. Partly because I impulsively bought several charm packs in this line and have a male dominated household, not to mention a country-style house interior which is better suited to muted colours and beiges rather than white and brights, so I need to use them up. And partly because although I enjoyed making this, I am likely to stick to my favoured simple patchwork squares. Bah, traditionalist. So I wanted to see it dressed properly this time!

For the piano keys border I used all my 12 remaining charms AND another charm pack… and about another 6 squares, which REALLY annoyed me. I would have liked it to be exactly 3 charm packs… but it would have only worked out if I had omitted the white border round the quilt centre like this (not stitched together, just laid out):

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I like it. But the Hubster started droning on about negative space being important in design… yadayadayada. He has no concept of running out of fabric. Although he did go on to say it looked as though I ran out of fabric. Drat it all.

So… Piano keys border

– using your remaining 12 charm squares, another charm pack AND 6 more charm squares cut from a fat quarter/stash/layer cake…

  1. First, if using, add a border round your starflower chain quilt, using 2.5” strips of white. Sew a strip to 2 opposite sides of the quilt first and then add the remaining 2 sides.
  2. Cut your charm squares in half, sew together lengthways until you have about 30 in each strip. I chain pieced, sewing them all into pairs, then the pairs into fours, then into eights etc. but others may prefer to just keep adding one to their strip. image
  3. Press all the seams in one direction. Sew a strip to one edge of your quilt and another to the opposite edge, checking first that it’s long enough! Trim the excess. Then add the other two strips on the other sides of the quilt – again check first it’s long enough and add more “keys” if necessary before you sew it on). How folk do the maths for fancy cornerstones, I have no idea.

…And finished! One starflower chain quilt top measuring 61” square from 3 charm packs (+ a fat quarter) and some white fabric (about 2 yards with some spare). Or a 51” square one using 2 charm packs, if you are going to be a stickler for original missions 😉

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It was so windy today in Scotland, this was the best picture I could get! But at least it’s not raining, so you can kind of see the colours in this lovely collection by Lily Ashbury. Now just to back, baste, quilt and bind. But not today! Enjoy your day/night/evening whatever you’re doing lovely peeps,

Till the next time,

Poppy xx

sexy hexies

I admit, only someone who has sewn 450 1 inch fabric hexagons could write that title and not immediately delete it. And I was close. But, darnit, I needed a little motivation to keep me going now that I am 1/3rd of the way through my hexagon quilt, and laid what I have so far on the dining room table. And so, yeah, I’m willing to see this as quilty porn if only for a few minutes.

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Maybe it’s no Daniel Craig stepping out of the water in Casino Royale. Or Aragorn being, well Aragorn at any moment in the Lord of the Rings trilogy. But compared to where I started, I’m pretty pleased with how it’s going.That photo is about 470 hexagons, about 300 or so sewn together, and the rest laid out.

I first blogged about it here: https://cuckooblue.co.uk/post/63599622305/hexagon-crazy, where I’ve put a wee outline of how to make a hexagon. I was totally unsure if I would like this handsewing-hexagons-round-paper-and-then-handsewing-them-together malarky. It all seemed like the most enormous faff. But then my friend brought round a gorgeous vintage hexagon quilt she’d got from Ebay, wrinkled and worn, with some of the hexagons frayed and torn but glorious, with just the right amount of fading, all in blues, neutrals, reds, a few pinks, all rather understated but so beautiful together. It was love at first sight for me. And made me want to make a hexagon quilt SO MUCH! And there it began.

Alison came round today where I showed her how to make hexagons so she can repair her quilt and start using it – they are very easy, but she was hooked and proud just as I was when I made my first one! And AGAIN did I not forget to take some photos of her quilt? I might have to take some next time and dedicate a full on post to it.

After a lot of thought about scrap quilts, random fabrics, bright, crazy, fun hexie quilt, I decided that really I might not love the result in my house and after all that work I’d want to have it out every day. So I have decided on collections from Fig Tree Quilts – I call it my Homage Quilt, as I just adore their collections. It’s actually really nice to keep them together.

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The above is “Honeysweet”. I love this collection, it’s so feminine, with a vintage feel and yet fresh modern colours. I could stand looking at a lot of this in my quilt.

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And that one was “Fig and Plum” – the first collection from Fig Tree Quilts that I saw when I first made the jump from sewing to quilting (about 3 years ago). I have a quilt in this collection already – must be a good sign that I like it! (http://www.flickr.com/photos/cuckoo-blue/8625084929/in/set-72157630302286578)

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This is Butterscotch and Rose, a gentle, cottagey, warm and yet rich collection which I completely adore. I made myself a sofa quilt in this which adorns our living room sofa and looks lovely! (http://www.flickr.com/photos/cuckoo-blue/8807380614/in/set-72157630302286578)

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The above is Buttercup – I have made a few baby quilts with this, but not a quilt for myself – it’s just a bit sweet for our house. It is nice though and I thought I’d like the light spots that it and “Avalon” will bring to my quilt, but looking at the whole picture, I’m not as sure anymore, when the rest of it seems so rich. I might have to rethink the buttercup, a shame, but easier to do at this stage!

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And last but certainly not least, my favourite so far is Tapestry. So lovely. Grown up, classic prints but still modern – how does that amazing Joanna Figuera do it? This has been my favourite bit of the quilt to make, so much so that I have bought myself another layer cake, to make another throw for the living room (it’s a big room and a big sofa, and looks good for the colour). It’s gorgeous!

I had intended to make all the patches a lot bigger and use about 10 collections. I’ll see but I might end up with smaller patches and more collections – an expensive quilt though, because I am cutting up a charm pack for each collection… And all to make a quilt not a lot bigger than a layer cake would yield! Sigh. Quilters are insane.

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Okidoki guys, I’m off. To sew more hexies, having been re-inspired. 2/3rds to go. Ugh, that sounded awful. 1/3rd in the bag – yay! Seems I’m a cup 1/3rd full kind of girl.

Whatever you’re up to hope you’re having fun,

Till the next time,

Poppy xx

Paint by Numbers… and more random sewing

Well, this is an utterly misleading title. It actually refers to this beautiful print by Erin Michael called Paint by Numbers sky from her Lush Uptown fabric collection for Moda.

I think it’s stunning – modern, funky, just the right blue with a hint of green, fresh colours and a fun twist. This is a large size cosmetics/ washbag, and has been snapped up already by a neighbour of mine! i can’t say I blame her. I made a flat zippered pouch as a “set” , for maybe keeping lippy, mobile phone, keys etc orgnaised in your handbag – and then snaffled it myself to hold my hexagons sewing (oh yeah… this 1” hexie quilt will keep me going for a while. I think I’ll need a bigger pouch). I’m actually thinking of making a bag with this print.

Speaking of neighbours and friends having cleaned out all my stock – oh we weren’t? Well they have, bless them, very complimentary they were too, which is always an ego boost. I had made more toiletry/washbags; it’s rather amazing that they are so popular.

I say amazing, but I too find all sorts of uses for a pretty zippered pouch, so I shouldn’t be surprised, and it’s nicer than a tupperware box holding your stuff.

The Alexander Henry Spotted Owls in Smoke is a particular favourite fabric of mine. The owls are so grumpy! And yet so beautiful at the same time. It’s a really special print. I have made 5 of these so far, and each time they are snapped up (or I’ve gifted and they’ve been very well received).

As for the Harris tweeed which entered my life along with, inexplicably, a wee crush on Aragorn, I have made more toilletry bags (very similar to on previous post) as a couple of commissions from neighbours. And a lovely tea cosy. 

Tea cosy… well I see it’s inherent beauty, but I’m a bit meh.

But a cafetiere cosy… well. much more suited to modern times – and I rather like this classic fabric being used for such a modern phenomenon. Well, modern in Britain anyway. When I was little (not THAT long ago!), it was quite acceptable for folk to only have Nescafe instant in their house, and be oblivious there might be another way. I know… and within spitting distance of our French, Spanish and Italian cousins too. Shameful.

It took my husband a minute to work out why the cafetiere cosy was so tall; it fits a standard 8 cup cafetiere just perfectly – with the plunger UP to let the coffee brew. And now my husband is an official FAN. He is quite into his coffee…As for me – what I really need is a mug cosy to keep my cups of tea warm enough to let me finish one… I’m too distractable to sit in the same place for the length of time it takes a cuppa to go cold!

In fact I had enough stock for a little pop up shop over a cup of tea with my neighbour and some friends. It has been quite fun! And allowed me to replenish some fabrics. I really am a loon. I have no idea why I feel the need to sew quite so much!

And judging from my fellow sewing bloggers, I’m not the only one!

Seriously? Why would I sew up so many zippered coin purses? I really must start listing them for sale!

Well, I have commission stockings still to make and a quilt, so I should go. And that’s before christmas presents, which may or may nont be handmade this year, it’s a close run thing. But I did just get this rare print panel for my 4 year old son who adores maps and knowing where things are – he’s so his father’s son! (I am only getting better to answer all his questions.)  I’m going to make it into a wall hanging for his room. It is a rather fabulous print! It’s the world map panel from “what a world” by Jill Macdonald for P+B textiles, measuring 44” x 24”. I’m quite thrilled to have tracked it down!

Till the next time,

poppy xxx

Hexagon Crazy…

I love quilts. LOVE them. In our house even the dog has a quilt (the only way he’s allowed on the furniture). When my 3 year old is tired or in need of comfort he lies on a sofa and demands and then covers himself in a quilt  – which admittedly almost immediately becomes a tent, a flying carpet, an ice cream van, a snail house in quick succession – but that comforting cosy thought is there… And I love fabric. And squares. So, beautiful fabric, sew up squares, batt, back, quilt and bind. Not quick, but modern and compared to a lot of quilters’ amazing intricate quilts, if not instant gratification then pretty close. Like this one:

Typical of one of mine (on Flickr stream for more views), bright, squares, pleasing to my eye anyway.

Or our quilts which are most in use – dog on TV watching sofa – red, white and blue squares Rural Jardin quilt underneath, Butterscotch and Rose quilt relieved of duty now I’m up and photographing said dog, bit of random home decor fabric for dog’s quilt and high loft batting. He LOVES his quilt. And loves when we let him on the sofa with us. Hairy little rascal.

ANYWAY, so far so good. But suddenly I have been inexplicably thinking about HEXAGONS. Hexagons! Those tiny little 6 sided pieces which are really difficult to sew by machine, so you have to paper piece them. By hand. And then sew them together with tiny stitches. By hand. The shudderingly long process should have me quivering and running for the nearest charm pack to sew together in record time. But maybe it’s the idea of hanging out watching TV, on the sofa next to husband instead of locked away upright at my machine which appeals. I don’t know, and I’ve no idea how long this phase will last. But off I go, into the uncharted territory of English Paper Piecing…

I’m starting with this above picture – paper hexagons, 1” each side, Pretty small. And bigger fabric hexagons, 1.25” each side. you fold two sides of the fabric hexagon round the paper one and do a double stitch at the corner to secure, fold the next side and do another double stitch at the corner all the way round, the knot off.

It all started with the most beautiful vintage hexagon quilt my friend bought from ebay in need of some repair – but I haven’t been able to shake it from my thoughts. I must ask her if she’ll photograph it for me and I’ll post it here. Meanwhile, here is some beautiful hexie quilt inspiration from other (very talented) people’s blogs:

From Blog: http://luannkessi.blogspot.co.uk/2012/12/hexagon-text-quiltborder-fabric.html

and from quilthaven.co.uk this:

From : http://quilters-haven.co.uk/blog/2013/02/show-and-tell/heaxagon-quilt-2/

And so it begins…

It’s easier than I thought, and more relaxing – it takes almost no effort (once everything is cut out) to sit with a pile of hexagon pieces, fabric, needle and thread and watch TV or continue conversations.

and then you end up with this perfect little hexagon. I think it’s something maybe only a quilter will really adore, you can’t look at a hexagon quilt and not see the work that has gong into it.

And then you hand sew them with tiny stitches to each other:

Some people will outline all these “flowers” with a row or two of white hexagons, called a “Grandmother’s Flower Garden” quilt, but it’s not the look I’m going for, so I’m aiming to have all coloured/ scrappy-looking quilt. I say scrappy looking, but I actually would rather have a coordinated quilt in practice in my home, so I will use collections probably.

They look like this at the back  – but the papers just slip out (notice the middle one?).

I have a die cutter so got a die to cut the hexagons out of printer paper, but you can buy them from ebay sellers for just a couple of pound including p+p and you can reuse them. Some people use “freezer paper” apparently which can be ironed onto the fabric and make it easier to sew round them… may have to try it.

The flowers fit together like this:

and this:

I have chosen the brand new line from Fig Tree Quilts called “Honeysweet”. I love it. I adore so many of their lines – in fact, two of our sofa quilts are from their collections. These fabrics have a vintage feel but with fresh warm colours; they will always be timeless.I thought  at least I wouldn’t tire of making hexagons out of all those different and beautiful colours. But then when I saw this:

… I realised that a whole quilt out of just these in tiny tiny pieces will look  “flat”, like one piece of fabric and certainly not as though it has taken this long to make.

So I have decided to make the hexagons out of several different collections which I love (and actually some of which I have already so it makes sense!) all from Fig Tree Quilts collections. I would have LOVED to have Butterscotch and Rose in there, even though I have an entire quilt made from it, but I can’t find it anywhere – it is an old line. The good news for me is that the wonderfully talented Joanna Figuera who is the designer is prolific producing 2-3 lines for Moda a year!

So… I think I will also choose

Fig and Plum,

Tapestry,

Buttercup,

Avalon

and one or two more. I going to try and keep the collections mostly together but try and work it so they mix nicely, which shouldn’t be too hard as Fig Tree collections often mix nicely. And the yellow/blue collections will be the brighter spots… fingers crossed.

I’ll have plenty of time to work it out though because I want a 60” x 60” ish quilt… which means 1400 HEXAGONS!!!

Oh my giddy aunt. What am I doing?

There is a pretty simple way to machine piece “almost hexagons” – half hexagons they are called, but the pattern gets disrupted in the middle so I’m not keen on the look except from a distance or with solids, or very tiny scale patterns, when it looks great, and very like the real thing. (You can google half hexagon quilts if you want to know more)

So on reflection, I think it’s GAME ON.

50 so far. 1350 to go. better get sewing.

Till the next time,

Poppy

xx

ps by the way, if you fancy making your own, here is a fabulous online calculator to work out how many hexies you’ll need (fewer if the hexies are bigger):

http://www.cddesigns.com/PaperPiecing/number.html

A new cosy quilt for a brand new baby

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My good friend has a brand new baby girl, and I thought I would use the beautiful High Street collection by Lily Ashbury for Moda to make a baby quilt (I’ve lusted after it for months!!). This is it in progress, just the quilt top, on the ever-ready-but-never-for-clothes ironing board.

It’s a pretty straightforward pattern – it’s just a charm pack with white sashing (1.5” strips, making 1” sashing when finished).

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These are the charm squares sewed in strips of seven with white sashing in between. I always forget to pick out 6 charms for the ends of the strips to which you don’t need to sew 5”x1.5” white strips – but not this time! Hurrah. I actually toyed with the idea I was getting good at this… that brief feeling of smugness didn’t last…

Meanwhile – aren’t the fabrics great? Bright, pretty, fresh, modern but with a slight ethnicity to them which I can’t quite place.

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And quilted up, with a stipple pattern, slightly bigger than I’d normally go because of the high loft batting. I like the way stippling breaks up the squares. One day I’m going to do some loop-de-loop quilting on a whole baby quilt, I love the look but haven’t been brave enough to stray from what I know best on a whole quilt!

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I’ve used fire retardant high loft polyester batting – it gives it a nice puffiness which is perfect for baby quilts. Although I’d rather go for natural low loft cotton batting for quilts, as that’s the look and feel I really love, I’ve decided that because it’s not recommended to use quilts in babies under 1 year, a small quilt like this (43” x 38.5”) is most useful with some puffiness and loft as a clean absorbable, bright cosy playmat or tummy time/ nappy off time  mat, good inside on hard or dirty floors or outside even on slightly damp grass which is used later as a snuggly blanket for reading etc. I throw them in the washine machine and they come up like new. I’ll need to find some sun to photograph it under!

I thought I’d bind it and because of the colours decided white would be nice, clean. Wrong. I HATED it. Couldn’t even bring myself to photograph it. Much unpicking later and it’s back to unbound and waiting for some attention. Bang goes that smug feeling.

Quick charm quilts, don’t you just love ‘em? I mean why on earth would anyone bother doing something like English paper piecing 1” sided hexagons by hand and sewing them up by hand into a full sized quilt? i mean how long would something like that take??? Gotta be crazy to try it, right? Er, OK. Ahem. More on this next time…

Till then, happy sewing, browsing, cooking, playing, running, watching, living life through colour however you like to do it,

Poppy

xx