Postage stamp thoughts…

Happy 2016 lovely creative folks! Thanks for stopping by – despite it being 4 months since my last confession. And since switching to WordPress I get stats, which shows you guys keep checking in, so double thank you for putting up with my prolonged absence!

SO much to tell you about; I had an amazingly successful craft fair and have some thoughts on that; some Christmas stockings for which a tutorial has been requested several times; I have some quilts in the making; I did some free motion embroidery; my EPP hexagon quilt top is 3/4 done; I wanted to show you how I made a wee felt mouse doll in a tin for a friend… it’s hard to know where to start!

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(A few things from my craft fair)

But I’m going to show you the postage stamp quilt that I am currently so into that I am finding it difficult to do anything else, despite it supposedly being a side-project. Including neglecting the shabby-chic commission quilt for a wedding which was 4 months ago… don’t panic, they knew I’d be busy! They didn’t know I would be seduced to the Dark Side of the, er, superbright & scrappy, admittedly. (I don’t think I’ve got the hang of Dark Side quilty metaphors…)

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I have had this yearning for an ultrabright, not very grown up, superscrappy, rainbow, box of sweeties, star-bright, flowers and unicorn vomit quilt for a while, having been inspired by the bazillion amazing, scrappy postage stamp quilts out in blogland, but was actually pretty shocked to discover that I didn’t have many scraps big enough to cut a 2.5″ square from. You need 1,024 X 2.5″ squares for a 64″ square quilt. I was reluctant to cut into uncut FQs in case I needed them for other projects and found myself short. I had about 300 mostly different, big-enough scraps, in the colours I wanted, which I cut up but obviously I needed a whole heap more:

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So I decided to use charm packs. I have a terrifying weakness for charm packs and precuts. To have a tiny bit of a whole collection of beautiful coordinating fabrics in my hand makes my heart flutter a little. But it does mean that there are more errant charm packs hanging about having a fabric party in my cupboards than there will ever be quilts. That’s scrap, right?

It wasn’t until I saw this just perfectly-perfect quilt from “Focus on Quilts” (http://www.focusonquilts.com.au/one-more-post-before-i-leave)

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that I truly fell head over heels. I think it’s because a lot of the scrap quilts you see have a tendency to go quite dark, and I really wanted a crazybright quilt; hers kind of all coordinates and still manages to look happy-scrappy. So I started with a base of the same collection as she did, my favourite collection, Happy go lucky, by Bonnie and Camille for Moda, and then added a few other packs which used similar colours; adding a bit of pink, but no brown, black, dark green or purple.

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I highly recommend visiting that blog page btw, she shows off a variety of utterly gorgeous quilt confection perfection, as well as listing the charm packs she used for her quilt.

Once I partly pieced this 16 x 16 square piece (about 32″ square) I reflected on how it looked a little “flat”. Maybe the colours were too coordinated? It used some “happy go lucky”, “beach house”, “one for you, one for me” (it’s just OK) and “garden project” (which is really really nice) – all for Moda. So I chopped up and threw in some “Sunkissed” and “Ambleside” which I had left over from other projects. Once it also had my own scraps in, it seemed to have a bit more depth from the varying shades of each colour, which I think helps, although it will be paler overall.

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Some more 16-patches ready to be sewn at some point, this time with scraps in:

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But… I think the thing I will enjoy the most is looking at the pieces of scrap fabric I used from my stash. Already, my eye sees them immediately + recognises them as fabrics I bought with love and have used. I like the effect of the charm pack squares but I don’t have that same feelingyou know, I think I might have to raid my stash after all to make it feel more unique and like it’s mine.

By the way I am doing most of this as a “Leaders and Enders” project. This is a technique devised by Bonnie K. Hunter I think (http://quiltville.blogspot.co.uk/). You know how when you finish a line of sewing, you cut your thread, leaving long ends of thread which essentially get wasted? Or when you start sewing, esp piecing triangles or delicate fabrics, your machine tries to eat the fabric? My mother-in-law always uses a piece of scrap fabric to start and finish her sewing (the needle stays in this fabric piece when you finish sewing/ switch off the machine).

Well, a leader/ender is a small bit of patchwork you want to sew together; you use that instead of scrap fabric so it doesn’t eat the corner of the HST you’re making for your proper project, chain piece everything you want to, and then finish with another small piece of your “leader/ender” quilt.

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That’s my “Ender”, which I left in the machine for whichever quilt I decide to work on next time, when it will act as my “leader”.

Before you know it, within a few quilts you have sewn together lots of small 2.5″ squares, first into pairs, and then into 4-patches. Without you really noticing you’ve done it. Well, it slows you down a little I admit. But I certainly didn’t notice sewing 1,100 little squares into 4-patches, as much as I would have done had I tried to just piece them all at once (I might have sworn off quilting forever!).

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I kept them all in a shoebox next to the machine, which was also good for the ten min mindless sewing break. Healthier than fags and booze… 😉

Once you put the 4 patches together, the 16-patches seem to go together pretty quickly, and because it’s scrappy, it’s all pretty mindless. Instead of trying to keep your rows in order, you just sew randomly. Bliss.

There are other ways to do this of course. The amazing goddess of modern square-based quilting, Rita from Red Pepper Quilts has a great tutorial on doing postage stamp quilts using 2″ x 7″ strips cut from scrap or stash. (her squares will finish smaller at 1.5″). I can see that working very quickly, though not as a leader/ender. Her fabulous tutorial is here:

http://www.redpepperquilts.com/2012/04/postage-stamp-quilt-tutorial.html

Meanwhile… My New Year’s resolution after playing more guitar and moving more is to sew less for others and more for us! My boy wants a Spiderman quilt, which is making me very happy, and I envisage a scrappy string quilt (I have lots of strings), a liberty quilt, 1030s feedsack repro picnic quilt, Heather Ross quilts for my two nieces and of course a bright bright postage stamp quilt! There, it’s in black and white – you’re my witness. After the 3 commissions I have to do first. I’ll start after that 😉

Until the next time, may 2016 bring you much love, joy, peace and happiness,

Poppy xx

The twice-made Baby quilt…

Sometimes, that usually fair and just muse, er, Quiltiopoeia, eschews all her principles of “it will be beautiful if you take your time and take care” and her rebellious streak wreaks havoc in your quilty life. I have no idea where I’m going with this fable – but I tell you, this sweet, simple little baby quilt has caused me no end of trouble.

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I know, right? It’s one charm pack of Ambleside by Brenda Riddle for Moda, sewn together and quilted. How hard can it be? I tell you though, do not be fooled by her gorgeousness; she’s a tricksy minx.

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Earlier this year, we had that rarest of rare things – builders whom you actually like having around, who don’t say one thing and provide another, who work until the job is done, who fix problems promptly without complaint, who don’t suck air through their teeth every time they tell you about a minor problem as though you are going to have to sell your right femur to pay for this one, Missus. The father and son team did a great job replacing our decrepit bathroom for us with a “hotel bathroom” (cue clasped hands and joyous musical theatre exclamations from Mrs Cuckooblue). So when young master-builder saw me sewing and asked if I would make a small baby quilt for his niece-on-the-way a few months hence, I said yes, despite vowing to take on no new commissions this year. After all they were so nice, and it wouldn’t take too long, right?

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He chose my charm squares of Marmalade Flannel by Bonnie and Camille for Moda, left over from a little quilt my newest niece plays on, and an Ikea print, Rosalie, apparently designed by Cath Kidston. Oh, I was so on top of it, although somehow I fretted over every stage, the size, the quilting, the batting (Quilter’s Dream cotton). 2 weeks before the due date, I got it to the stage in the picture above, and then went to visit my aforementioned baby niece who was playing on her quilt. I had never used flannel before and was a bit disappointed in how it had washed. Soft, yes, but also kind of old looking. I guess like flannel pyjamas get old and comfy looking quickly..?  In my experience, quilts made with regular high-quality cotton fabrics remain beautiful, if not get more beautiful with subsequent washes, but somehow this flannel one didn’t. It looked better when first made. Disappointing. I think it’s one thing when it’s a gift, but another when someone has commissioned it, don’t you think?

So, some emailing of alternatives I thought they might like later, and all was going well. I used Quilters’ Dream wool batting, which is gorgeously soft with a higher loft than regular cotton batting but still washes pretty easily in the machine, and stipple quilted it. I had loop de loop quilted the Marmalade quilt above, but I thought it needed a bigger quilt really to show off the regularity of the design, I think I prefer the stipple on such a small one.

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Aren’t the fabrics pretty? See that perfect binding too (from Butterscotch and Rose by Fig Tree Quilts for Moda) ? Well, I had been tossing up between this one and a blue floral one. I would like to tell you that I made the right decision immediately, but I didn’t. I unpicked it all before I thought to photograph it, but I’ve just laid the old blue binding on the quilt so you can see why it was all wrong:

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I have learned to pay attention to backs and bindings over the years. Bindings in particular seem such a small thing, but they can make or break a small quilt like this. They DO show, and you need a nice frame. I just thought… oh, I don’t know what I was thinking!

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Pretty fabrics…

And then the monogram he asked for. Was hoping for a beautiful swishy silvered calligraphic embroidered monogram I could tell – he had to settle for applique. And after 24 hours of me gradually discovering that LF in olde-world lettering doesn’t look good or recognisable, Fs and Ls being near mirror images of each other, he agreed to a simple appliqued name. Phew! And very sweet it looks too, I think. In my experience with small children, they love seeing their names, the first word they recognise really. It’s a shame to have some elaborate script, that they can’t read, on their first quilt.

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Aw. It was worth the troubles for this little quilt. I love the softness and snuggly feel of the batting, love the classically sweet fabrics, even love the wee girl’s name. I hope Leah discovers her fingers and toes lying on it, watches the world go by under it in her pram or carseat, loves its snuggliness as she looks at picture books under it. Bless. Nothing like a new baby to tame that mischievous quilty muse.

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Come Back!

Until the next time,

Poppy xx

A week of sewing like a madwoman? I feel a craft fair coming on..

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Of all the things I’d planned to blog about – and there is now a queue – this was not one of them. 6 days ago I agreed to do a craft fair – which is in 5 days time – eeeeeeek! I think I must be a little insane.

It’s the same craft fair that I did a year ago, in our village, usually for a charity, and is part of a stately home open day, where there’s a bouncy castle, facepainting etc. I did it last year at 3 weeks’ notice and thought I was a mentalist then, but apparently that was me being organised, positively relaxed even… The day before it, I launched this blog, and since then I’ve had a nice gentle stream of sales and interest from the village which has been very lovely. So maybe that’s why it felt right to do it again.

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So this is the very popular zippered purse, this one in Sidewalks by Riley Blake. It’s pocket sized but bigger than last year to more comfortably fit cards as well as cash. Interfaced with batting for durability and that soft feel, and of course always a pretty lining, because we deserve eye candy inside our purses even if there’s not as many notes in there as we’d like!

Pretty and floral designs:

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(Clockwise from top left – Enchant for Riley blake, Flutter for Riley Blake, sweet shoppe Michelle D’Amour for Bernatex, Songbird in white, from Vintage Summer Collection by Little Yellow Bicycle for Blend, Sweet Shoppe, Marmalade by Bonnie and Camille for Moda)

Liberty coin purses:

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Brights and retro:

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(Clockwise from top left – Flutter by The Quilted Fish for Riley Blake, Blue birds on lampost by Kate and Birdie from Bluebird Park for Moda, Sidewalks by October Afternoon, Flutter)

Fun or for kids:

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(Clockwise from top left: oh darn, cannot remember the name/designer/anything about the owl fabric! Sorry! Going Coastal by Emily Herrick, Out at Sea by Sarah Jane fo Michael Miller Fabrics, Ele train shroom by Dan Stiles for Birch fabrics (organic), Bluebird park by Kate and Birdie)

And the most popular thing I seem to make, the large toiletry bag /washbag

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Lined with white canvas, interfaced for stability with softness, I love these! And they have improved the look of my dressing table no end, they are deceptively big and take all my bits and pieces including my hairbrush. That one was in Flutter red for Riley Blake…

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That was Ele Train Shroom by Dan Stiles for Birch and is Organic cotton – somehow manages to be grown up as well as cute.

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Not that I made them to be sets, but they could be – the flat pouch is a makeup pouch or handbag organiser for keys/ phone/ purse/ lippy whatever. Or a pencilcase, especially when made in a kid fabric.

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The above is Sidewalks by October Afternoon for Riley Blake – this is my new current favourite fabric 🙂

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Jungle Elephants (makower)

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Peak Hour Ad White by Kellie Wulfsohn for Riley Blake – so cool! Especially with a bright fabric lining (from Space collection by Makower I think)

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Out at Sea by Sarah Jane – I’m a bit obsessed with those mermaids! Remind me of the Heather Ross Mendocino Swim Sisters which I never got any of but now is so rare it sells for a small fortune on etsy – I actually gasped, even though that’s something you only think happens in novels. This is not a bad second though. I got some of this with my little niece in mind, but haven’t yet managed to make her something yet – a swim bag maybe…?

Not everything is newly made this week, I have a few lavender pillows which still smell divine, and one or two kindle cases – soft yet waterproof and padded to prevent scratches or mishaps with burst waterbottles in your bag or by the pool. This one is in Songbird in white by Little Yellow bicycle for Blend fabrics.

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And finally… some Scrabble tile pendants! These are fun, sweet and funky – an image on a wooden scrabble tile topped with an epoxy resin seal, a nickel and lead free bail on the back and sold with a silver plated (nickel/lead free) chain (or alone). I’ll have about 50 on the day. They seem to sell well at fairs, so fingers crossed, and though this is a small selection, they are mostly different from each other. 

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The best thing about doing these this year has been “meeting” (virtual, she being in the US and me being in Scotland) a lovely lovely Etsy seller called Leslie at the Graphicalmuse, whose talented work you see on pendant numbers 2 and 4 above. I love Etsy and love these amazing and lovely creative folk we get to “meet” through the blogging and crafting world. This whole craft fair is worth it for having made a new friend 🙂

So I’m finished sewing now; I don’t want to get too tired before the fair because I found the event fun but tiring last time, and I’m going to follow all my advice I gave myself after doing it last year, but get organised well in advice.

https://cuckooblue.co.uk/post/48960849472/craft-fair-and-other-stories

I wondered why I could blitz through all these makes, when it normally takes a while to do one washbag  – the answer is factory line preparation. I spent 2 days literally collecting all the fabrics I wanted to use, then cutting everything – fabrics, interfacing, gathering all supplies everything. Then sewed it all up. I broke 6 needles. And I sewed like a maniac until I was SO BORED of sewing, which has never happened before that I can remember. And my room looked like this: image

So I’m glad to be getting it back, and am excited about some more quilting, because I got new quilting toys that I can’t wait to try out! I’ll tell you next time. By the way, anything I don’t sell will hopefully finally get put onto this blog and/ or a facebook page for sale, though probably UK only unless I get a lot of pressure!

Meanwhile, enjoy doing whatever you’re doing, and see you very soon.

Till the next time, Poppy xx

Vintage Modern Ruby Stars – Charm Pack Busting HST pattern #2 + tutorial

This is a story about Mojo. About abandoning a project for years and ressurecting it, with the bonus of ridding yourself of the nagging guilt that there is abandoned fabric in a box in your house.

Far, far too long ago I bought a Ruby layer cake, used half of it in a well received baby quilt… and then got stuck. Until now:

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Ruby by Bonnie and Camille for Moda Fabrics was an instant hit with quilters when it came out several years ago, and I was instantly seduced by the bright fresh colours – the red and aqua mostly, which was very “in” at the time, and the retro flowers…

But you know, although I rarely say this, I wasn’t as wowed as I wanted to be by the collection. It’s such a modern classic now, and so much beloved that it feels sacrilegious to say it; in hindsight I really should have sold it on to someone who did feel the love. There just seemed to be the wrong balance of what I think of as “headlining patterns” (like the flowers) and “supporting patterns”, as in there were just too many mild geometric patterns which I wasn’t all that enamoured with; it was like there was just too much filler. Too many just-okay supporting actors and not enough Daniel Craig.

Daniel Craig.

Anyway, back in Ruby land. Eventually I chopped the equivalent of a charm pack up into HSTs as below:

Quick method to make 4 HSTs from 2 charm squares:

  1. You take two 5” charm squares, one coloured and one white (or one “cool” and one “warm” coloured)image
  2. You put a coloured charm over a white charm and sew 1/4” seam allowance all round the edgeimage
  3. Rotary cut along both diagonalsimage
  4. Open them up and you have 4 HSTs – although beware they are cut on the bias and so can stretch.image
  5. Trim off the dog ear and you’ll have four of these:image

    They measure about 3.25” square, you should probably trim them to 3” square or something at this point, but I didn’t and it was fine. And the quilt police did not appear, although it felt like I was saying “Candyman” three times in a mirror… 42 squares in a charm pack will yield 168 of these. I’m not going to lie to you it was DULL. But so satisfying to have a big pile of HSTs to play with at the end!

… And so I merrily played. And played. I had meant to do pinwheels, but was underwhelmed and less merry. So I picked out 144 of them (the equivalent of using 36 coloured and 36 white charm squares) and sewed them together into nine 4×4 star blocks. You can see from the photo that once you have HSTs putting together the stars is really easy – once I’d laid the HSTs out, I sewed them in rows, then sewed the rows together to make the block.

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I was really very pleased with them and got them out at intervals to look lovingly at them, but mostly they stayed in a box, languishing. I’ve just looked at my flickr stream and it was 2 years ago I made these blocks! All because I wasn’t feeling the Ruby-love, had one Ruby charm pack left to add to it and was wishing I had just sewed them into square patchwork for a baby girl. But now and then you have to slap yourself out of your quilterwhinge and wo-man up, don’t you? So eventually I dug them out and promised to do something with them.

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Firstly, I laid my blocks into a 3 x 3 grid, added white sashing and red cornerstones. The sashing is 2.5” wide and cornerstones 2.5” square (unfinished).

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And added a 2.5” (unfinished) white sashing border round the edge followed by a 2” inner border of the red main floral Ruby fabric which I love so much. Finally another 2.5” white border, ready for piano keys.

…and then realised my issue was always going to be my feeling that there was a paucity of interesting prints. So I bought a Vintage Modern charm pack – now THIS one is GORGEOUS! I love it. It’s like Ruby plus. Uber Ruby. Anyway, so I mixed my remaining ruby charm pack and vintage modern, cut them in half and made a piano keys border. i used about 54 (maybe 56) charm sqaures for the piano keys border.

I mentioned how to make a piano keys border here, in case you wanted some instructions:

https://cuckooblue.co.uk/post/77412217918/starflowers-chain-quilt-charm-pack-busting-hst

Now I love it. I really do. The mixture of the two collections is great and  the quilt has some “oomph” I think. I’m sure I would have loved it even more with a little Vintage Modern in the stars, but you can’t have it all.

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So, from what I had left over, I seem to have made this quilt with 92 coloured charm squares (and 36 white charm squares plus sashing and borders etc); 36 of them were for the HST star blocks. The quilt top measures about 60” square. I was quite glad that I needed to get some more fabric to make the piano keys border as with the addition of the Vintage Modern I think it ended up being something rather yummy, even against a honeycomb grey house in a weak February Scottish sun:

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Here’s to abandoned WIPs – sometimes they can surprise and delight you. And here’s hoping your WIPs, whatever they may be, are bringing you much pleasure.

Till the next time,

Poppy xx

*Edited*

p.s. My friend saw this post and sent me a photo of the baby quilt I made for her daughter 2 years ago in Ruby – am now thinking I was a bit harsh on Ruby! Pattern is “flowers in the attic” by Sweetjane on etsy, batting is high loft fire retardant polyester. image

p.p.s. Edited in 2015 – you can see the finished quilt here if you like:

https://cuckooblue.co.uk/2015/06/04/vintage-modern-ruby-stars-quilt-finally-finished/

Marmalade quilty love, teeny cars and more pink tweed

The sun is still shining here in Scotland (Yay!!!) so I took the opportunity to photograph this little quilt made with Marmalade fabrics from Bonnie and Camille for Moda. It measures 31.5” x 36”, 100% cotton.

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I was really excited to see a collection in flannels, so bought them for this quilt, making it gorgeously cosy and soft. I think it is a beautiful quilt and exactly what I would choose if I had a girl – definitely my taste!

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I stipple quilted it, backing it in this Ikea cotton print called Rosalie based on a Cath Kidston design. The design is a little “pixelated”, but really it doesn’t seem to matter once it’s all sewed up, and makes a lovely quilt backing. 

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My only minor regret with this quilt is that I hadn’t realised only some of the designs were in flannel, and so I didn’t receive many of the beautiful prints I really like, like this one:

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So I did buy some of this print and make it into a washbag, which is very pretty, and may be on the “for sale” page soon! I keep wondering whether to go the whole hog and reinvest in the whole marmalade cotton collection just to satisfy my love for it, but I haven’t got a daughter – and even this quilt has not got a home to go to yet. I might put it for sale too.  And I still have enough of the flannel for a 45” x 45” toddler quilt (bigger if I use a border), so I can’t really justify it 😦 I think my affair with Marmalade may be over…

… particularly as I am falling in love with (and trying hard to resist) this latest collection again by Bonnie and Camille called Happy Go Lucky:

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… But I am seriously trying to resist because I have already spent many impatient months waiting for the release of this collection called “High Street” by Lily Ashbury for Moda:

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You can’t see much of the fabrics here, but trust me, the designs are too beautiful, with just a hint of ethnicity and yet such modern bright girlish colours! I have NO BUSINESS getting this, as I am not going to get a daughter, and all the babies coming are boys, but I so badly want to sew up this collection that I have promised myself I can get it. If I make some sewing money. And when it is released. Which is August in the U.S. and probably ages for the UK 😦

Instead I am busying myself with wee projects like this little washbag I made for baby Hamish – I know I made him bunting, but this print was too cute – check those teeny tiny cars! You’d think a child doesn’t need a washbag, until you think about cotton wool, wipes, cream, bath wash and later on toothbrush, their own toothpaste – they are more high maintenance than me!

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…and despite my dislike of making the same thing over and over,  I was persuaded to make another bag using those pink and aqua fabrics, but this time a bit smaller 10.5” wide x 3” deep x 8” tall in middle – and with the fabrics reversed – pink on top. I actually like it much better this way – like the size and love the pink tweed. It was given to me years ago as a present, so when it’s gone it’s gone – I should remember that and enjoy using it now! The felt flower is a brooch, so is removable. I probably would remove it if it was for myself, but a lot of folk seem to like it.

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And purse feet! Well, they are my new favourite thing 🙂 I know, I need to get out more…

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So I should get going. I have heaps of stuff still to sew up instead of sitting procrastinating at my computer! Such as: A huge beanbag (pattern review to follow) almost finished for my friend’s husband. More travel chalkboards. A quilt for my goddaughter to be. Some Happy Birthday bunting for same precious girl (almost done!). A wholecloth quilt for a neighbour’s daughter. A christmas stocking for a neighbour’s new grandson. Some baby quilts for a few babies – including my new nephew who’s on his way in a few months, I can’t wait! Some washbag commissions. That’s a sneak preview of the next few blog page!! And at some stage I’ll be listing a few things on my new “For Sale” page… hopefully…

Hope you are enjoying the sun wherever you are,

Till the next time,

Poppy xx

ps you can email me at poppy@cuckooblue.co.uk

or visit my flickrstream at http://www.flickr.com/photos/cuckoo-blue/

bags, bags, bags of bags!

I had a bit of a bag hiatus for quite a while whilst the quilting bug took over my life, but recently became inspired again. Lisa Lam of U-Handbag being the inspiration with her lovely pattern for the “Big and Beautiful Betty” shoulderbag. Well, I saw. I coveted. I coveted some more. I decided I didn’t need any more handbags. I slept dreaming of it. I awoke coveting.

So I ordered some supplies and my 3 year old and I thumbed through all my fabric until we chose a lovely floral red from Ruby by Bonnie and Camille for Moda. I could have guessed it would have been – I wanted florals and a slightly retro feel, kiddo will always choose red, as reed is his favourite colour. Because Lightning McQueen is red. And Lightning McQueen is his best friend. There is a lot of red entering our lives these days.

Anyway, the pattern was great, straightforward. The metal frame is sturdy and feels like a quality item, and it arrived beautifully shiny and new, in fact all the supplies were great – what a wonderful shop U-Handbag is! And this is what I ended up with. I fell in love a little bit.

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The bag is good and strong and holds all the everyday things I need, including kiddo’s water cup and wipes, even a little umbrella – and yet is lightweight with a comfy strap which stays on my shoulder. In fact I loved it so much, I started dreaming of making another one… this time in Melody Miller’s “Love Typewriters” in teal. Well, once you think the thought, it would be a crime against the Gods of Creative Loveliness to ignore it, so I made myself another one, which I love equally, or even a little bit more…

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A small interior pocket with magnetic snap closure is perfect for purse, mobile and and lip balm. I chose a beautiful print for my interior fabric by Blend – Songbird in white from the Vintage Summer collection. I adore it, though I have a weakness for birds of course. I have some fat eigths of this beautiful collection, ready for quilting, i can’t wait!

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And then my neighbour saw it and asked for one for her daughter, following which her friend did the same, so I made 4 bags in quick succession. I have no idea how handmade businesses continue to make the same item over and over, because even with a straightforward pattern which I didn’t have to draft myself, and lovely fabrics, I was bored bored bored by number 4 – although I did love the final bag too:

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The fabric is Alexander Henry’s La Strada in Black and White, with a print from the Curio collection by Basic Grey for the lining to provide contrast. Both of the bags as gifts were very well received apparently, which says a lot for the mothers who chose their daughters’ fabrics from my stash, happiness all round 🙂

But I think I’ll take a break from sewing any more Big and Beautiful Betties for a while, and just enjoy using mine!

You can get the pattern here:

http://u-handbag.typepad.com/uhandblog/2010/05/free-bag-purse-pattern-big-n-beautiful-betty.html

So. Many. Bags. And now I want a new holiday bag, for days out and all the stuff you need in the summer, suncream, water, snacks, childstuff – eeek. It’s not really need, but I want. And I want it in this (freebird by Momo, garden in geranium, I’m such a freebird geek, you can spot it in my flickr stream quilts)

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And with no help from my boy. I think Lightning McQueen is influencing my colour choices too 😉

Till next time,

Poppy x

ps you can email me at poppy@cuckooblue.co.uk

or visit my flickrstream at http://www.flickr.com/photos/cuckoo-blue/