Tilda and Wedding Quilt Prettiness

OOOH, Tilda. Tilda to the UK born child of Indian parents means watching strange, brightly-coloured movies in an unknown language on grainy VHS with a beautiful Sari-ed lady in the advert in a rice field and the song “Tiii-lda Basmati” (the best rice, which I still buy now). And possibly the only understandable bit in the movie for my brother and me. But now it means this: 

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Soft, vintagey, floral, prettiness with both a modern freshness of colour and an authenticity you don’t often find in modern fabric lines which are so often “trying” to have a vintage feel but don’t quite make the grade.

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I admit the colours are not showing up well in our first-week-of-spring-cold-but -bright Scottish sunlight; you might have to trust me about the gentle romance of these fabrics. I used fat eighths of the Apple Bloom and Spring Lakes collections, but then took out the teal colours from Spring Lake and added Taupey-greys and Cadet blues from other Tilda collections.

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It is a commission quilt; my friend commissioned it as a wedding gift for a lovely girl whom I did actually meet once and I thought was fabulous. I had a telephone consultation with her, and they live in a whitewashed Scottish cottage with pale, duck-egg blues and ivory/ white colours. I just knew Tilda would be the right fit. Not the rice obviously.

The big squares were cut to 8.5″ and the smaller ones making up the 4-patches were 4.5″, and I just alternated them. You would need 13 fat quarters or 26 fat eighths or equivalent to make this quilt which finishes at 61″ square with a 3″(ish) border. It’s a great throw size – big enough for 2 on a sofa or someone to nap under.

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This is the back – Pernille in Cadet blue, pieced with some charms from the Tilda collection “Happiness is Homemade”.

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I really love the back! Almost more than the front, always disappointing when it takes a fifth of the time… The couple’s bedroom is duck-egg blue, so I am hoping that this will make up for the pinks and greens on the front of the quilt; a certain degree of reversibility. I hoped that the other colours would make this quilt fit into their home even if they re-decorated. They’re going to need to keep loving shabby-chic pastels though!

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I quilted it in a loop + swirl pattern, and if you look very carefully you can maybe see a “L + M” quilted in the middle (the couple’s initials). It’s not showing up very well here, but that is kind of the point… Batting is Quilter’s Dream Orient, a natural batting made of cotton, silk, bamboo and Tencel (eucalyptus), which gives it a wonderful drape and softness, without a lot of weight. It is definitely my favourite batting for special quilts, although it is expensive.

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That bright, bright sunlight to which we have become unaccustomed over the winter certainly shows off the texture that free-motion quilting gives a quilt. I love that all those curves soften the geometry of squares, but so subtly.

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I feel pretty sure she’ll like it, if only because I had the opportunity to talk to her about her tastes. What I am less sure about is how I will feel about letting it go! Do I always say that? This time I decided to buy a few Tilda charm packs for a summer quilt for us, just to make the hand-over easier!

After all, with fabrics this beautiful and timeless, it’s worth allowing the name to share brain space with some slightly trippy childhood culturally-significant memories, huh?

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Hello long-suffering, quilt-holding husband!

Until the next time,

Poppy xx

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Oh Dear, Oh Deer

Oh dear indeed. My camera wire malfunctioned whilst I was uploading 3 months’ worth of photos and makes onto the computer – losing almost all of them! Hence the absence of recent blog posts. But, less frustratingly, here’s the “Oh Deer”:

Ana's quilt

My good friend moved house recently and I really wanted to make them a throw quilt for their sofa. Their tastes are pretty clean and minimal; white, grey, subdued egg shell blue. They even manage to keep the children’s toys tidy! Ahem, yeah, just like me. 😉 And Ana seems to be slightly in love with the deer/ stag silhouette at the moment, which can be found in subtle places in their home – on a cushion, on a tea-towel and so on. So I set off through the UK online shops looking for a set of fabrics with a grown-up colour scheme, but bright enough to lift a room or grace a picnic – and preferably with a few deer too. DSC_0072

I have had this grey/ mustard/ teal colour scheme in my head for a while, and have been dying to make a quilt using it, so this seemed like the perfect opportunity. And, being the kind of fabric-obsessed web surfer that I am, I also immediately knew my best chance of finding modern, clean, grown up yet quirky prints. “M is for Make” is a really fabulous shop. The owner, Kate, has a definite style and fabric taste; the shop is full of modern, often geometric fabrics or stylised prints, but with a healthy dose of whimsy in there – not taking itself too seriously. Well I think so anyway – she’s like a “cool hunter”!

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As you know, I most often quilt with precuts or collections – partly because there is no local quilt shop with a large selection of prints, partly because it is the cheapest way of getting a bit of lots of different fabrics, fat eighths only just being introduced in the UK (and fabric being twice as expensive as in the US). But choosing my own fabrics was SO. MUCH. FUN. And I was so thrilled to see that the colours on the computer did indeed match those on the fabrics I received. (Phew!)
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I had actually taken photos along the way in order to give you a bit of a tutorial and as an aide memoir for me for the next time, all of which are now fairy dust in the ether… although the construction is very simple and so it was probably unnecessary anyway. Here’s a bit of a guide, just in case you wanted the maths:

You will need for the quilt top (approx 55″ x 55″ finished) :  

  1. 61 (sixty one)  6″ fabric squares. Assuming you have well-cut fat quarters and you can cut 9 (nine) 6″ squares from each one, you only need 7 fat quarters. Not all fat quarters are that well cut. If you had more fat quarters, you would have fabric left over but would end up with more variety in your quilt. I had 14 different fat quarters and have fabric left over.
  2. A yard of white background fabric, cut into 3.25″ strips. 
  3. rotary cutter, decent ruler, thread etc etc you know the drill!

Cutting and assembly: 

The quilt is made from 2 blocks. Sew everything together using a scant 1/4″ seam allowance.

  1. Block A is a basic 4-patch. Take 2 of your 6″ squares and sew together, RST. Repeat with another 2 squares , open both out and sew together into a 4-patch. You need 12 of these.

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2. For Block B,

  •  You need to subcut your 3.25″ wide white strips into 26 (twenty six) 6″x 3.25″ rectangles and 26 (twenty six) 11.5″ x 3.25″ rectangles.
  • Then take a 6″ x 3.25″ rectangle and sew onto the side of a 6″ square. Repeat on the other side. Then sew a 11.5″ x 3.25″ rectangle to the top and bottom, finishing the block.
  • You will need 13 of these blocks.

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3. Easy peasy! Really at this point you should check all your blocks are the same size. They should all measure 11.5″ square. but seam allowances being what they are when the fascist quilt police are looking the other way, they may not all be the same. It’s okay. Find your smallest block and trim them to be all the same size; even if that is 11.25″ or  11″, it’s better than not being able to sew your quilt together or it not lying flat when it comes to basting.

4. And now sew together, alternating block B and block A in a 5 x 5 grid, as below. Very simple 🙂

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I decided not to put on a border, and just bound it in the beautiful Kona solid in teal. I used the number print from Ikea on the back, which looks great with this quilt – and such a bonus that it is 60″ wide, has a nice soft handle and is very cheap!

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I used my favourite Quilter’s Dream Orient for the batting, which gives it a gorgeous snuggliness and drape, and quilted it in a freemotion all-over loop-de-loop pattern. DSC_0034

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Obviously my house is not a Scandinavian inspired, white minimalist and modern looking house, so I appreciate that my sofa doesn’t suit this little quilt really -but I’m sure my friend’s sofa will!

Oh I nearly forgot to tell you the fabrics! They were mostly from the collections Yoyogi park by Heather Moore for Cloud 9 fabrics, Mod Basics from Birch Fabrics, Westwood by Monaluna fabrics, the Kona teal and a lovely fabric from Botanics collection Carolyn Friedlander. I could have just kept adding fabrics from that shop I really could, but tried to be restrained.

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Incidentally, the lovely Kate from “M is for Make” instagrammed my order picture and it got so many “likes” that she made some of them into a bundle called “forest bundle”. You can see it here if you are interested:

http://www.misformake.co.uk/search?type=product&q=goldteal

Right, I had better get off to bed. Why does the bloggy muse always float by so darn late in the evening? Hopefully my dreams will be filled with teal fabrics and peaceful deer tonight. May yours be too!

Until the next time,

Poppy xx

Baby Girls and Hello Luscious

… are the perfect combination. At least when it comes to quilts.

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See? Clearly I have no need to further extoll the virtues of the Hello Luscious collection by Basic Grey for Moda, but apparently I’m going to. I LOVE it. If it had a scent it would smell of jasmine, freshly cooking doughnuts, baked peaches in brown sugar and syrup and vanilla ice cream. Outside on a warm summers day with the smell of cut grass faintly in the background. And a Pimms for the grown-ups. Hmmm. Seems I’m getting distracted daydreaming about the Scottish summer (it’s June! I need a shaman to come and do a sun dance. we have plenty rain this year), so will move on.

hello luscious baby girl quilt

It’s such an old collection now that’s it’s super-hard to find. If you have any girls in your life and you find some, even one charm pack, snap it up because said daughter will always love it. I stashed a few charm packs, despite having no daughter – I used 2 for this quilt.

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Pretty colours and patterns huh? Not too babyish and will grow with a girl until – well probably forever. Definitely late teens. I did take out some of the greens and replace them with white squares (cut from stash). I’m not a huge green fan and although I like it in this collection, I felt the balance was slightly off for my tastes. And I feel the colours are so rich and well, luscious, together that they somehow can seem a bit “muddy” when all together – hence replacing the greens with some white. It definitely made the rest of the colours “pop”.

hello luscious on the sofa

But after I made the quilt top I thought I had added a few too many white squares. 3 or 4 too many. I was on a deadline and really didn’t want to unpick. So I did a little applique heart using a lovely fabric from Cori Dantini for Blend fabric – cori_dantini_good_company_scalloped_in_pink So pretty… I have a quilt in the making in  Cori Dantini fabrics, the colours remind me of a pack of refreshers, remember those sweets anyone?

cori dantini applique heart

And somehow that heart draws your attention to it and away from the slight white square imbalance. Or I tell myself that! I really like it, and it felt like a little special gift to the wee girl. A little hand stitchery in a variegated pink perle 8 cotton finished it off.

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You can see the quilting on a few of these pictures; I did loop de loop quilting which I love on child quilts; actually I am beginning to love it on all quilts. Somehow the swirls and loops look fun and elegant at the same time. And it is a fun design to do – like when you are a kid, painting with bold flourish! Stippling is a much more restrained process; at least it is when you are trying to make it even and attractive.

Backing is a Tanya Whelan print from Sugar Hill which actually goes really well with the collection, although I was unsure when it was first picked out. This quilt was commissioned by my neighbour for her very precious first granddaughter – a neighbour whom I adore so much that I was willing to relinquish a bit of my precious Hello Luscious stash – and her really lovely daughter and son in law. The baby girl (who is a cutie) is called Rose, so we were keen to have roses on the back; Suzanne chose this from my stash. And her name on the front of course – again in the Cori Dantini print above.

back of hello luscious quilt

Her parents gave this to her at a little party they held for introducing the baby (the baby’s family lives in Norway), and it was so great to see how much they loved it! Incidentally I took a little present I made for her room – a quilted cushion made with a California girl charm pack (fig tree quilts for Moda) and Summer Ride by Sarah Jane on the back (I just love this print with a passion!), which also turned out very sweet.

california girl patchwork cushionwee wander summer ride1

I was kind of sorry to see this quilt go, despite having no real use for it in my house, but I’m really glad it’s gone to such a good home where I know it will be used and loved by a darling family. Batting is Quilters Dream Orient, size approximately 46″ x 52″.

hello luscious child quilt

I think I am feeling the need for making some quilts for our household now! So much letting go. Of quilts. Yes, I think I am a batty catless cat lady who needs to get a grip 😉

Night night lovely creative folk; hope your treasure making is going well.

Till the next time, Poppy xxx

Bartholomeow’s Reef Bermuda Baby Boy Quilt

Oh my gosh I love this quilt. There are really not that many options for baby boy quilt collections which will grow with a child, but by bingo, this one checks all the boxes. I have never said “by bingo” in all my days before now – it must be special.

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I adore simple patchwork quilts – but particularly for heirloom quilts. My sister-in-law’s friend saw the one I made for my nephew Rufus here :

https://cuckooblue.co.uk/post/72250153872/boy-crazy-not-me-well-not-for-about-20-years

and apparently has been desperate throughout her pregnancy for one herself. I don’t know her as they live in Bermuda (!), but I can never refuse my gorgeous sis-in-law anything, and once the baby was born and duly named Matthew and not Rosie, I knew what collection I wanted to use. Especially in the sun – check out the colours even in the Scottish sun:

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My sister-in-law takes her quilts everywhere as a clean surface for the beach, grass or home for the kids and I guess her friend wanted to do the same. Now that she has received it, I can finally wax lyrical about this gorgeous collection.

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It is called Bartholomeow’s Reef by Tim & Beck for Moda, and features sweet but not too babyish little sea-life illustrations – waves, anchors, stars and a cute print with some characters on it – walruses and whales and such cuteness – all amongst bright geometric prints so that the overall effect will suit a 10 year old as much as a baby or toddler.

I backed it in this lovely monkey print by Dear Stella. It’s so sweet and the colours suit the front whilst giving an alternative theme on the reverse:

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They just look so much like my skinny active cheerful 4 year old boy! No mother of a small boy could look at this print and not grin with something akin to fondness. Watching my boy climb up the stair bannister, just because it’s there, leaves me in no doubt how related we are to our ape cousins!

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I used 100% cotton batting – Quilter’s Dream of course – with no scrims, binders or chemicals I just adore it and feel it’s the safest most natural choice for children. That or Dream Orient, but I didn’t think they needed the extra warmth in Bermuda!

So… the quilting. In the last few months, I was showing my friend how to free motion quilt and demonstrating some of the patterns she could use. At which point I realised that, despite my new year’s resolution, I had been putting off using a non-stipple on my quilts for fear of not doing a good enough job – but actually my quilting looked OK. So since then I have done a few. The first was the Jewel Box Quilt of a couple of posts back with loop-de-loop quilting here:

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 (https://cuckooblue.co.uk/post/97092626787/jewel-box-quilt-in-tapestry-fabrics-from-2-charm)  – where the quilting really showed up because I used a wool batt which has a higher loft.

I decided to try a loop and star pattern for the Bartholomeow’s Reef quilt – I think this picture shows it best:

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It was fairly enjoyable to do – I had to concentrate harder than for stippling – whether that’s because I have done about 50 stippled quilts (when on earth did that happen?!)or because it’s more difficult, I don’t honestly know. And it took tons more thread – but it wasn’t as difficult as you would think. My problem was that once I had finished, I really struggled with the non-regularity of it compared to a stipple. I really worried that she wouldn’t like it. I had to literally show it to everyone that would look, who all said it looked great, suited a child’s quilt, and added another dimension to the quilt that I relaxed. I think I wasn’t used to looking at non-stippled quilts! We don’t get much free-motion quilting in the UK although straight-line quilted quilts are starting to take off here. Really it was when my boy saw it and pounced on all the quilted stars fascinated, folowing the lines with his wee finger to the next one that I really did relax! Now I’m so glad I did it – and the recipient loves it!

This is a quick paper sketch of how it’s done, quite straightforward, some loop-de-loops and then a 5-lined star followed by more loop de loops. Start with loop-de-loop of different sized loops:

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Do an extra long line:

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make another line as if you were going to do a triangle:

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but don’t close the triangle, continue the star like this:

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Finally return to the beginning and continue some loop de loops. FIll the page, I mean area of fabric, with more of the same putting stars at intervals.

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It pays to practice this one on paper I found, although I usually don’t have the patience for a lot of practice, I figure I can practice on the job! And again I did more practice on a couple of quilt sandwiches on the machine before doing it on my quilt as there is something which my brain found visio-spatially weird whilst doing the stars. I had to think less about it by the end of the quilt. It’s a sweet look for kids, but it definitely makes a statement I thought. The hubster said “well, it’s a very SUBTLE statement…” Which makes me think that only quilters really see all these details lit up in neon like the aisle lighting in an aeroplane…

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I bound the quilt in this lovely stripe from Pirates by Riley Blake, which I really love. The colours were perfect for this collection and you can’t really beat a stripey binding. I used the navy wave pattern to cut the letters, steam-a-seam 2 to attach and sewed round by hand to secure. You apparently don’t need to with steam-a-seam, but I would hate the letters to come off. The steam-a-seam prevents fraying though, or at least prevents a lots of fraying. I have seen the results of much washing and it does work 🙂

The delighted mum sent me a gorgeous picture of her baby son gurgling away looking very happy and handsome on his quilt, and much as I’m dying to show it to you, the programmer Hubster who has banned any photos of Kiddo on our blogs (he blogs about creative programming solutions, it’s all symbols and looks like a zillion lines of a massive expletive to me) – well he would have a FIT. But I can assure you that this quilt is in good hands.

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So perfectly little boy!

Now, whether I can stop myself making Kiddo a larger version of this quilt I’m not sure. Meanwhile, I’ll look at its rolled up-sunshiney, stripey bound picture and smile. Or maybe that’s because of the Liberty behind it. Ahhhhh, Liberty.

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Until the next time, lovely creative peeps, have a fun time whatever you’re up to,

Poppy xx

Jewel Box Quilt in Tapestry Fabrics – from 2 charm packs

Ever had fabrics so lovely that you knew exactly what quilt pattern you wanted to make with them? That would be a waste made into anything else? Even when you are REALLY close to the wire with this deadline and should go for simple?

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I always thought this was traditionally called a Jacob’s ladder quilt, but I’ve also seen it called a Jewel Box quilt. Given that Jacob’s ladder for me will always be that disturbing psychological horror film where the guy (Tim Robbins) sees peoples heads vibrating left and right superfast and is giving me a shiver just thinking about it now, let’s return to the world of pretty things and call mine a Jewel Box quilt shall we?

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My ex- boss has been my biggest fan for ten years and given me so many opportunities in my working life – and he’s moved the family (to follow jobs), turned 50 (!) and is having a 25th wedding anniversary this year. We’re going to their joint celebration this weekend at their new house, and I wanted to give them something for all those occasions. What better than a quilt using one of my favourite fabric lines – Tapestry by Joanna Figuera for Moda. I made another little quilt using these fabrics not long ago; you can see the blog post here https://cuckooblue.co.uk/post/91088996087/quilts-of-gratitude … looks quite different doesn’t it? it is quite a versatile collection, and especially good for gifts where it can look colourful and classic all at once.

There are a couple of ways you could do this, but the easiest way to get a symmetrical quilt is to make this block:

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I had two charm packs and some white yardage so that’s what I’ll show you, but there are other ways to do it with precuts. This pattern in the link and photo below uses the same block laid out differently to make quite a different looking (but beautiful!) quilt, and uses a jelly roll and 2 charm packs to make a bigger quilt:

Jewels in the Curio Quilt

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and this one is how I originally thought it would be done from just looking at the design, making 2 different (but simple blocks). http://www.modabakeshop.com/2011/03/sunkissed-jewel-box-quilt . The problem is making all these extra bits at the sides to make it symmetrical. She uses a layer cake to make a bigger quilt. I stuck with the traditional block.

Instructions (sorry I didn’t photograph every step!): For the quilt top you will need:

  • 2 printed charm packs (I used Tapestry) or 84 5” x 5” fabric squares – but remove any fabrics which are solid white or cream and replace with another print, cut from yardage. You need the contrast for this quilt.
  • 84 solid white or cream charm squares (I cut from yardage)

You will use 1 charm pack (42 squares) to make Half-square Triangles (HSTs) with 42 of the white squares
and the other charm pack to make 4-patches with the other 42 white squares.

1. So first the HSTs. Using one printed charm pack and 42 white squares make 84 HSTs with a print on one side and white on the other. I used my sizzix die cuttter to cut them and chain pieced them together, but I appreciate not everyone can or wants to do it that way (I might not next time!). If you need help to know how to make HSTs, try this link below for a picture tutorial from the fabulous Angela Bowman for making 2 HSTs at a time (they are easy!).

How to Sew Half-Square Triangles (HST) – 2 at a Time

(Essentially you draw a diagonal line corner to corner with pencil on a white square. Lay the white square on the right side of the printed square so you can see the pencil line. Sew a parallel line 1/4” away from both sides of the line. Cut down your pencil line and open with pride to reveal your HSTs. )

2. Open them up and you should have a stack of 84 HSTs like on the right hand side of the picture below. Press the seams to the printed fabric and trim them to be 4.5” square.

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3. Next the 4-patches. Cut all your printed and white charm squares in half horizonally so you have 2.5” x 5” rectangles. Match each printed one to a white one and sew along the longer edge with a 1/4” seam. Open and press the seam allowance to the printed fabric.

4. Now cut these in half as in the picture below to make what I call little domino units:

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5. Now take these little domino units, mix them all up and sew them back together to make a pile of 4 patches like these on the left hand side of the picture below. you should have 84.

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6. Now make up one unit like this. Very carefully. it has to be this way, trust me, make them just the same and save yourself some unpicking. What? Me unpicking? No not me of course *looks up at sky, whistling innocently*. Sew one 4-patch, orientated like this in the picture below to the white edge of an HST.

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7. To make the block, Make another unit as above exactly the same, turn one upside down and sew together. Make sure it looks like this. It will be your template, and be there in times of doubt! Make a pile of your 4 patches all lying the same way, next to your HSTs, again all the same way as below. Lie them all carefully by your machine.

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8. And relax! Easy from now on. Chain piece them together into units of 2, then take 2, turn one upside down and sew together to make the complete block. Yippee!

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9. Now go forth and play! As you lay them together you can see the secondary pattern energing.

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10. Lay out in a 6 x 7 bloack layout:

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11. Sew them all together. I sewed on 2.5” white borders, and bound in a strong red.

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For the first time ever I used Quilter’s Dream wool batting, which is almost impossible to get in the UK… I found mine at www.passion4quilting.com which is a great site with some lovely fabrics at great value. The wool batting was 93” not 122” wide unfortunately, but I have told the shop now, so hopefully the site will be updated too. It is GORGEOUS! The finished quilt has a nice weight to it – it is much higher loft than cotton – and denser than Hobbs wool batting – but also feels much warmer (sewing the binding on whilst watching Tv is a good test of the warmth value!). Machine washable. Easy to quilt. Clung to the fabrics well. My only issue with it was (the price and) that my microstitch basting gun didn’t easily penetrate the batt to take in the bottom layer, and I’m a big fan of the gun now! I have enough for another quilt so will give it another go and report back.

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The wool’s high loft really accentuated the quilting – finally I did my New Year’s resolution of abandoning the stipple! I quilted in a loop de loop pattern, with some sweeping lines. It was quite easy actually – much easier than mastering the stipple with its echoing and not crossing the lines (I hate ugly stippling), and I really like the result…although I wasn’t sure at first – I wasn’t used to looking at a non-stippled quilt!

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Well, I loved making this pattern, and I’m sure I will do it again. It was less expensive than many quilts of its size as it only used 2 charm packs, and although it is more complex and I like simple patchwork, it still feels very pleasing to me. I’ll have a hard job parting with it, but I’m really happy it’s going to a good home.

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Block size – 8” finished. Finished size 52” x 60”.

Have fun, whatever you’re up to, ‘till the next time, Poppy xx